Xavier Durringer Quotes
If some actors were more realistic and others bordering on caricature, that would have been imbalanced. It would be as if we saw an airplane in a 3 Musketeers movie.
Quotes to Explore
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Every wall is a door.
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I saw what the Depression was doing to my students. Often they could get no jobs, or jobs which were wholly inadequate. And through them, I began to understand how deeply political and economic events could affect men's lives. I began to feel the need to participate more fully in the life of the community.
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I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads.
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Every time you come out with an album or a song, you want to feel like you're growing a bit in what you are and giving people something that they can feel.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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And so, the youngsters you have today, even though there are far fewer of them - in World War II 16.5 million men and women in uniform, today roughly a million in uniform in spite of the fact that the country is almost twice as large a population as we had in World War II.
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A lot of my fans are young and hip and enjoy my pop album and know the lyrics to those songs as well, which is a real compliment to me.
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My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.
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Police can only act on intelligence.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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Each age, it is found, must write its own books; or rather, each generation for the next succeeding.
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I never have been a coder, outside of when I was twelve or something, like on the Atari 1200 XP or whatever I had.
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My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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Sometime early in life, I developed the notion - one which I have never relinquished - that writing a novel is the very finest thing a person can do.
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I knew 'Bad Girls' attracts a younger audience, and it's vital to get oneself known to that audience because, unless they watch me in re-runs on 'U.K. Gold,' they won't know me from a hole in the ground.
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I think most people are aware of the garbage in the tabloids and don't give them a lot of credence.
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Truth stands, even if there be no public support. It is self-sustained.
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Everyone says how Calvin and Hobbes is about a real kid, to me there's nothing real about it; it's an adult using a kid's body as a mouthpiece.
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Who needs Russian gas if we could get all the heat we need from our own surplus? Who needs Middle Eastern oil, when we can integrate limitless renewable sources in our smart grids?
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I think ageing suits me because I was born old, like Spencer Tracy or Dolly the Sheep.
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Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
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When I go away to do a movie, I bring the blanket I've had since I was a little girl. It helps me sleep. I also always bring my laptop so I can E-mail friends. And I bring my dog, Beauty, wherever I can.
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If some actors were more realistic and others bordering on caricature, that would have been imbalanced. It would be as if we saw an airplane in a 3 Musketeers movie.
