Vito Fossella Quotes
Quotes to Explore
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I tend to deal with characters who are sort of at that same point of wrestling with, 'Who am I going to be as an adult? What do I believe? How am I defining myself in the context of my culture and my peer groups, my family?'
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My son's a West Point cadet.
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In plotting a book, my goal is to raise the stakes for the characters and, in so doing, keep the reader mesmerized.
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Promotions can be seen in two ways - either you hate them, and they're a burden, and you are getting through with it, or you can enjoy them. I decided early on that I was going to enjoy them. I did 43 interviews in a day for 'Kahaani.'
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We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
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Well I look for an accompanist that does his work well, this to begin.
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With a film, you just don't have time to build sympathy for the character. But I think we're moving away from that in TV. With TV, you have a little more leeway to allow them to rise and fall and rise again and be much more complicated beings.
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Since first starting my career, I've grown accustomed to working with actors older than me. I'm always the youngest.
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The 'chinked out' style is a school of hip hop - that's the way I like to think of it - that incorporates Chinese elements and sounds.
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I was young and irresponsible, a silly woman laden with sin, not caring for anything except fame and fortune and self. But I have lived seeking truth in Jesus Christ and found it has made me free.
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My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.
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I'm always in trouble with Twitter. I don't know what it is. Trying to shake it.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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Detroit is beautiful - though you probably have to be a child of the industrial Midwest, like me, to see it.
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Humans are the big thing that cause damage in life - in war or whatever - and if I can get away from that and into a wilderness situation, I'm OK. You can more or less live on your own merit.
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I believe in astrology as much as I do in genetics.
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Ages of experience have taught humanity that the commitment of a husband and wife to love and to serve one another promotes the welfare of children and the stability of society.
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We are sufficiently at the mercy of machines, Roger; if our music must necessarily be mechanical, then it is time for us to throw in the sponge, and abandon all hope for the future of humanity.
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The society which scorns excellence in plumbing as a humble activity and tolerates shoddiness in philosophy because it is an exalted activity will have neither good plumbing nor good philosophy: neither its pipes nor its theories will hold water.
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Up to a certain time I was cutting into things. Then I realized that the thing I was cutting was the cut. Rather than cut into the material, I now use the material as the cut in space.
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It's a maddening thing in itself to look at an old poem of yours. To translate it is even more maddening.
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Like a versatile baller, George Dohrmann swings seamlessly from position to position: investigative journalist, social critic, gifted storyteller. The result is a gem of a book that addresses THE question central to contemporary basketball: how does such an unseemly culture spring from such an essentially beautiful game? You'll come away rooting harder than ever for the kids and harder than ever against the basketball profiteers.
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I think the Bush tax cuts should be made permanent.
