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Scarlett: You should die of shame to leave me here alone and helpless. Rhett: You helpless? (laughs) Heaven help the Yankees if they capture you.
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I'm a Scorpio, and Scorpios eat themselves out and burn themselves up like me.
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Every single night I'm nervous. You never know how the audience is going to react.
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Every single night I'm nervous.
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I am going to be a great actress.
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People think that if you look fairly reasonable, you can't possibly act, and as I only care about acting, I think beauty can be a great handicap.
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Sometimes I dread the truth of the lines I say. But the dread must never show.
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On the road, they join the bedraggled remnants of a column of exhausted Confederate soldiers evacuating burning Atlanta. Rhett makes her take note of the scene: "Take a good look, my dear. It's a historic moment. You can tell your grandchildren how you watched the Old South disappear one night."
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I realize that the memories I cherish most are not the first night successes, but of simple, everyday things: walking through our garden in the country after rain; sitting outside a cafe in Provence, drinking the vin de pays; staying at a little hotel in an English market town with Larry, in the early days after our marriage, when he was serving in the Fleet Air Arm, and I was touring Scotland, so that we had to make long treks to spend weekends together.
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I always know my lines.
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Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.
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I'm not young. What's wrong with that?
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Streetcar is the most wonderful, wonderful play.
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Classical plays require more imagination and more general training to be able to do. That's why I like playing Shakespeare better than anything else.