Vladimir Nabokov Quotes
The writer's job is to get the main character up a tree, and then once they are up there, throw rocks at them.
Quotes to Explore
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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I don't know how old I was when I started writing books. But, I was born in 1931, and I wrote my first book in 1961.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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When you choose your friends, don't be short-changed by choosing personality over character.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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That's the way I do things when I want to celebrate, I always plant a tree. And so I got an indigenous tree, called Nandi flame, it has this beautiful red flowers. When it is in flower it is like it is in flame.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.
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A tree is known by its fruit; a man by his deeds. A good deed is never lost; he who sows courtesy reaps friendship, and he who plants kindness gathers love.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
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When I graduated high school, I bought a guitar and, at first, didn't really think I'd get into the songwriting thing as much as I did. But after learning a few songs of other people's to play on the guitar, I got bored with that and just started writing songs on my own, and that's kinda how it came about.
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As an actor, we always want people to write about us and talk about us. And when they are actually writing, then we say, 'Don't write about this.' I am an actor; I am a public property. I don't own myself; public owns me.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.
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I have said to my agents, 'I want to work. I want to play character roles.'
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Comedy was always an escape for me; I just happened to be a doctor.
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Place, time, life, death, earth, heaven are divisions and distinctions we make, like the imaginary lines we trace upon the surface of the globe.
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Back of every noble life there are principles that have fashioned it.
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The writer's job is to get the main character up a tree, and then once they are up there, throw rocks at them.
