Fabien Barthez Quotes
Unconsciously, I fell in love with the small round sphere, with its amusing and capricious rebounds which sometimes play with me.
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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My grandfather started a school for the underprivileged in Chandigarh, and that is why we moved from Himachal to Chandigarh. It was a small school, where even I would teach while in school.
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Sometimes a famous subject may even outlive his own obituary writer.
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I have a very small public.
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I'm probably the most militant person you'll ever meet and I speak my mind without provocation sometimes.
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I'm all about small towns. I think it's a great place to grow up.
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Sometimes you're going to have someone on your team who's just not comfortable with being open. You have to ask yourself, 'Is this person going to allow us to be a real team?' Maybe they're not right for your team. You have to be willing to lose someone sometimes.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I'm fascinated by the capacity to be able to do harm. I struggle every day with the ability of people to do evil. Not just the big things - the petty things that people do in order to make someone feel small, when it's so easy to do, and it hurts so much.
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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The debt we owe to the play of imagination is incalculable.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.
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After making my stage debut aged nine as Macduff's small son in 'Macbeth,' I had played a number of parts, from 'Twelfth Night's Viola to 'The Merchant Of Venice's Portia'.
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I sometimes feel it is to my disadvantage that I have not conducted the Cleveland Orchestra or the Boston or Chicago symphonies, but then I have had to sacrifice something in order to have enough time with my orchestras.
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The exercise of power is determined by thousands of interactions between the world of the powerful and that of the powerless, all the more so because these worlds are never divided by a sharp line: everyone has a small part of himself in both.
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I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.
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The great solution to all human problems is individual inner transformation.
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Love is so holy, so confusing. It makes a man anxious, tormented. Love, how can I define it?
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I certainly wanted to maintain some sense of mystery about Picard and that's why we never allowed certain situations to fully evolve, like the relationship between Picard and Beverly Crusher.
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Unconsciously, I fell in love with the small round sphere, with its amusing and capricious rebounds which sometimes play with me.
