Haile Gerima Quotes
Tarantino is a spoiled little white kid. He can do any movie he wants and nobody can do anything about it.
Quotes to Explore
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Nothing is unfilmable.
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I feel pressure, but my emotions just don't show that much in my face.
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If you put up a blog, people can cut out the middle man and get material to you. Which is really helpful because a lot of time there's really cool stuff out there that we just don't see. Because, y'know, the agent is acting in our best interest, but it does sometimes prevent some of the good stuff from getting through.
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I saw what the Depression was doing to my students. Often they could get no jobs, or jobs which were wholly inadequate. And through them, I began to understand how deeply political and economic events could affect men's lives. I began to feel the need to participate more fully in the life of the community.
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We are creating the new Atlanta, along with Rich Homie Quan and Young Thug. We bring the spaghetti, put it in the bowl, mix it together, and we make the new Atlanta.
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Well did graduate summa cum laude from Fordham University.
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Our country does not believe in the concept of your God and my God. We believe that all gods are one. We have different ways of accepting Him. All ways lead to Him.
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I always tell people I want to see the world through His eyes, and I want people to see Him in me.
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria.
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I'm all about a flat shoe. It takes a lot to get me into a heel!
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In Europe and the United States, you've got different systems to select candidates, and no system is perfect.
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I always see where I didn't do things the right way. I only see the heavy lifting. That's a bit of my wisdom, if you want to call it that.
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I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
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People employed in financial institutions are rarely interesting and even more rarely likable.
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The pace of Swedish crime fiction is slower - Stieg Larsson's the exception. And I think we use the environment more.
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My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Books, like proverbs, receive their chief value from the stamp and esteem of the ages through which they have passed.
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I've always been fascinated by young women who come to New York. The characters in 'Lipstick Jungle' were once young women who came to New York and we see their early experiences through flashbacks.
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There's a lot of revisionist history that goes on these days about Iraq.
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If they can go out and buy my albums, I can at least make the sacrifice to holler at the few people who call. A lot of times I'm busy so they'll get my voice mail. And if I can speak to them and I have time, I always text back. Because I think that's very important.
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I would like to be more fit, but I don't think I will put on fat or gain weight for movie roles. I am not going to do that.
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Tarantino is a spoiled little white kid. He can do any movie he wants and nobody can do anything about it.
