Ulpian Quotes
A party who bequeaths a note bequeaths the claim and not merely the material on which the writing appears. This is proved by a sale, for when a note is sold, the debt by which it is evidenced is also considered to be sold.
Quotes to Explore
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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Sometimes you've got to know when it's time to leave the party.
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Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomes part of the texture of the play. For a writer, that's thrilling. That's when my pen flies.
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There are many things which swallow up men's thoughts while they live, which they will think little of when they are dying. Hundreds are wholly absorbed in political schemes and seem to care for nothing but the advancement of their own party. Myriads are buried in business and money matters and seem to neglect everything else but this world.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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So there clearly is a sense in which the Labour Party here, certainly at State level is reaching out and connecting with people and reflecting the aspirations and needs of, you know the mass of ordinary Australians.
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With sitcom writing, you're trying to write stories.
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The correctness and quality of what you write do not matter; the act of writing does.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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Just as I could tell you about my first Andre Norton novel or my first L'Engle or my first Asimov, I could write a paragraph about how each of these writers influenced me, my writing, and my thoughts, and do to this day.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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I never see myself as writing satire. I think I write about people as they really are, without making them better or worse.
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I tend to read more nonfiction, really, because when I'm writing I don't like to read other fiction.
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When I'm writing, I look like a fool because the parts are moving through me and I'm crying and laughing and making faces.
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At least half my writing time is spent researching. So for every hour I'm actually clicking on the keyboard, I'm spending another hour trying to figure out some tiny detail I need answered.
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
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There are a lot of things that you don't realize that your parents are going through when you're a kid.
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There was no freedom in life, and certainly there was none in death.
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A party who bequeaths a note bequeaths the claim and not merely the material on which the writing appears. This is proved by a sale, for when a note is sold, the debt by which it is evidenced is also considered to be sold.
