Michael Eklund Quotes
With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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Our nano-quadrotor robots are made to be as lightweight as possible: less than a fifth of a pound and palm-sized. They can do an aerial backflip in half a second, accelerate at two Gs, and fly rotor blade to rotor blade in three-dimensional formations - and they do all this autonomously.
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Peter Sellers was just a brilliant actor, and also comedic.
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Probably Romania and China and Russia. I think they're all working really hard to beat us right now.
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If I don't love my character, I can't do it.
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I know it can be difficult for parents, but I really do believe that kids need to play the predominant role in the choices that go into their own space.
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Character is supreme in life, hence Jesus stood supreme in the supreme thing - so supreme that, when we think of the ideal, we do not add virtue to virtue, but think of Jesus Christ, so that the standard of human life is no longer a code but a character.
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I think space will be conquered through the mind rather than the clumsy medium of space travel.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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Cities can be the engine of social equity and economic opportunity. They can help us reduce our carbon footprint and protect the global environment. That is why it is so important that we work together to build the capacity of mayors and all those concerned in planning and running sustainable cities.
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I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
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I like to space out my work.
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The art from the East is influenced by nature and touch. That comes from being more attuned to the environment.
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In God there is an infinitude of things which I cannot comprehend, nor possibly even reach in any way by thought; for it is the nature of the infinite that my nature, which is finite and limited, should not comprehend it.
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I think sometimes we seem to obsess on negativity.
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The acting life is different than I thought it would be. I love it - it's actually a lot less pressure than I thought it would be.
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We suddenly feel fearful and apprehensive, naked in our perishable flesh, and for just a moment we wish we could go back to being stone—crumbling in death rather than rotting, trapped inside an immobile prison of stone rather than reduced to immaterial souls like those that now rattled within our skulls. The moment passes. There is no point in regretting irreversible decisions—one has to live with them, and we try.
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With the type of actor I am, which includes really diving into a role and making it as real as possible, there's nothing better than working in a real environment on location. It forces you to feel what the character's feeling, and it allows you to live in the space of the character.
