Michael Eric Dyson Quotes
If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.
Quotes to Explore
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You don't choose who you sit next to in a theater. You sit in a theater, and there's an energy that happens.
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That men should live honestly, quietly, and comfortably together, it is needful that they should live under a sense of God's will, and in awe of the divine power, hoping to please God, and fearing to offend Him, by their behaviour respectively.
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My favorite moments? Where it's all going swimmingly, the sun's out and I've got a fire going and a nice snake on the barbecue.
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The research I have been doing - studying how foodstuffs yield energy in living cells - does not lead to the kind of knowledge that can be expected to give immediate practical benefits to mankind. If I have chosen this field of study, it was because I believed in its importance in spite of its theoretical character.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Little moments can have a feeling and a texture that is very real.
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In London it's easy not to be the focus of attention, especially when Sting lives in the house just behind you.
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The tragic nuclear accident at Fukushima underscored the urgent need to enhance nuclear safety and the international emergency response framework. I commend the International Atomic Energy Agency for its work.
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In L.A., wives can fly on the plane; with the Yankees, they can't. With other teams, the wives always have functions to bring them together. Not here. You don't know what half the wives look like.
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My view is that, as management, the focus has to be on having a strategy and executing it. As you do the strategy and execution, it is important to communicate it consistently.
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As an actor you're used to being the focus of attention.
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It used to be that Democrats and Republicans would disagree, but they could be social to each other. There were times during the year that we acted together in the good of the country.
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For the first time in history all the major countries in the world are pushing together to reach this goal... building something in space that is really for all humankind.
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I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.
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I really appreciate the moments that I was able to win rap album of the year or whatever.
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When we were filming 'The Darkest Hour,' we didn't even know what the aliens were going to look like, we didn't even have a graphic reference. So it was definitely a big challenge to sell those kind of extreme moments when you're just generating them from your own imagination.
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It takes a lot of energy to teach.
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I just write characters, and somehow they happen to be a boy and a girl. When the story is put together, and their characters interwoven, they do end up together somehow.
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Together in Britain we have lit a flame that the ages shall not extinguish. Guard that sacred flame, my brother Blackshirts, until it illuminates Britain and lights again the paths of mankind.
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The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.
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Broadcasting through 9/11 together, like Katie Couric and I did, creates a bond.
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Determination, energy, and courage appear spontaneously when we care deeply about something. We take risks that are unimaginable in any other context.
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They started to try and keep us off the air in the beginning.
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If white and black and red and brown can come together to focus our energies on overcoming the racial malaise that persists, then this will have been a great moment.
