Michael Eric Dyson Quotes
I have no interest in romanticizing poor black people, having been one of them myself in our beloved hometown of Detroit.
Quotes to Explore
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Following graduation from Amherst, a Woodrow Wilson Fellowship enabled me to test the depth of my interest in literary scholarship by beginning graduate studies at Harvard University.
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I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family – poor, in fact.
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To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.
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Characters who don't suffer have no interest to me.
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I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.
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I have decided that I won't take up assignments that don't interest me.
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I was always active, always running and working out. I was a wrestler and ran track and, out of interest, started boxing. It's always been a part of me.
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I have no interest in making a work that doesn't elicit a feeling.
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I have no interest in directing. I've no talent for it.
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In my hometown of Chicago, I'm kind of a medium deal.
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The rate of interest acts as a link between income-value and capital-value.
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It is better to be hated for what you are than to be loved for something you are not.
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Few people know what they mean when they say, "I love you." ... Well, what does the word love mean? It means total interest. I think the reason very few people really fall in love with anyone is they're not willing to pay the price. The price is you have to adjust yourself to them.
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Structure your presentation so that you appeal to the different interests of the different decision-makers involved.
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...in respect of riches, no citizen shall ever be wealthy enough to buy another, and none poor enough to be forced to sell himself.
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There isn't a single person or landscape or subject which doesn't possess some interest, although it may not be immediately apparent. When a painter discovers this hidden treasure, other people are immediately struck by its beauty.
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I've been poor and I've been rich, and rich is better.
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An answer, once found, is dull; and the only remaining interest lies in a further effort to render equally dull what is still obscure enough to be intriguing.
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Nothing is properly one's duty but what is also one's interest.
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Blood Dazzler is Patricia Smith's impassioned lyric chronicle of a beloved city in peril, a city whose people were left to die before us all, a people who were the heart of our country and lifeblood of our culture. After rising water, winds and abandonment, after our failure and neglect, comes this symphony of utterance from the ruins: many-voiced, poignant, sorrowful and fierce. This is poetry taking the full measure of its task.
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Our lives and our culture have been significantly changed and improved by hardware, software, and services developed by immigrants.
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Going and running, just to run on the treadmill, wasn't my thing.
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I have no interest in romanticizing poor black people, having been one of them myself in our beloved hometown of Detroit.
