N. Katherine Hayles Quotes
We should not see print and electronic literature as in competition, but rather in conversation. The more voices that join in, the richer the dialogue is likely to be.
Quotes to Explore
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I am very much a girly girl as well as being this tough, athletic fighter. I grew up a tomboy. I got my first four wheeler when I was eight. I got my first dirt bike shortly after. So, I have a lot of these manly qualities, I guess you would say. But, I also like to go get dressed up every weekend.
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This is where young players today want to land. They want to be NBA players because of the money.
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On right-to-life, see the Republicans flee from Todd Akin, who committed a gaffe while restating his support for what has been a plank of the Republican platform since 1980.
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I am just so thankful that my mom was a fantastic mom. She wasn't a stage mother; she didn't push me. She was happy if I was happy. We are so different. I was very shy; my mom did all the talking. She was my strength. She never expected that I would be this ballerina.
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I respect music, I do. I love it.
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I hardly ever stretch the canvas before painting.
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I stuff animals I find; I do roadkill. They're strangely fun to have. They're like easy-to-control pets.
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I don't think the way I portray mother's and son's relationships has anything to do with my age or generation. It has to do with what I lived with my own mother and what it's transformed into and the point of view it has given me on mothers and women. The way I was brought up with women. It's all about personal background.
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During my early years, I was mercurially lively, always in motion, spilling over with pranks, impertinent and precocious, and, at the same time, intractably stubborn and angry if anything went against my will.
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It's like a painter with various layers of paint. I start with a drum loop and add keyboards, and then melodies start to take shape. The vocals happen later. I've never really done therapy before, but it's a form of therapy. Everything else falls away.
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Their effort to place the women upon the same industrial level with themselves in order that all may pull together in the effort to maintain reasonable conditions of life.
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I completely agree with feeling the need for or the benefits of being pushed and of being directed on a project and collaborating.
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People tell me that my appearance in real life is better than on-screen. Perhaps people think I am exactly like the characters I play on TV.
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I'd much rather have the honesty than not. Because if you will say what's on your mind and get it off your chest, then the sooner I can prove you wrong!
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During my twenties and thirties, my interest in the political poem increased as my apparent access to it declined. I sensed resistances around me. I was married; I lived in a suburb; I had small children.
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Commercial hit films such as 'Bajrangi Bhaijaan,' 'Talaash,' and 'Kick' had big superstars to sell them; that may not have been the case if it were just me.
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My parents moved around Stockton and Lodi. I had a lot of anxiety about jumping into another classroom. They were always putting me in special ed. But I was smart; I wasn't like these kids in the special-ed classes. But it would make me feel a little bit stupid.
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In the future, when people look back at the early days of Bitcoin, they'll say, 'It was so obvious that the ability to move money anywhere, instantly, at near-zero cost would be a huge success.
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I honestly think that with every song you release you have to keep winning your own fans over again.
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I deliberately try not to cater for the commercial market, so I can't see myself in competition, you know, with second or third generation rock stars.
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Today there is a division between those who write about literature and those who create it. I, obviously, don't think that should be there.
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The last thing I want to do is to write about real things. I am not interested in reality and in real human beings and their real day-to-day problems - I just want to say to them, 'Hold still, and I'm just going to unpack, see what's inside.'
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Everyone has a private self and a public self.
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We should not see print and electronic literature as in competition, but rather in conversation. The more voices that join in, the richer the dialogue is likely to be.
