Val Plumwood Quotes
To the extent that we hyper-separate ourselves from nature and reduce it conceptually in order to justify domination, we not only lose the ability to empathise and to see the non-human sphere in ethical terms, but also get a false sense of our own character and location that includes an illusory sense of autonomy. The failure to see the non-human domain in the richer terms appropriate to ethics licences supposedly ‘purely instrumental’ relationships that distort our perceptions and enframings, impoverish our relations and make us insensitive to dependencies and interconnections.
Quotes to Explore
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I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
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It's what happens in other major championships - I just lose my head a little bit.
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I think that when we strip people down, most of us want the same things. People just have very different views of how to get there.
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Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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I never know what is going to have that 'X' factor and what isn't.
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We would like to preserve Europe for Europeans.
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I have a different way of thinking. I think synergistically. I'm not linear in thinking, I'm not very logical.
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Um, well, I made a new CD called 'Dream With Me' and it's out now, and I'm really excited about it.
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With realization of one's own potential and self-confidence in one's ability, one can build a better world.
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For me, temptation is life and I have a gargantuan appetite for everything.
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I learned a lot from the various artists I produced. Either you see them doing something that you do want to do it, or you see them doing something the way you don't want to do it.
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You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
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I really feel that New York City is the greatest city in the world.
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I am my own sanctuary and I can be reborn as many times as I choose throughout my life.
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The voice of the intelligence is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is biased by hate and extinguished by anger. Most of all it is silenced by ignorance.
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Every character has their reasons - even the characters who do dumb things.
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I have this concept that I call 'Combo Meals.' The idea is that I start with the kids' meal and then add a few more ingredients, and it becomes the adult meal. This way I'm not making two entirely separate dishes. I'm just simply adding on to what I'm already making.
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I'm sorry to say that far worse things have happened and the literature of the Holocaust is a witness to the capacity of the novel as a form.
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Man is an extraordinarily fixed and limited animal whose nature is absolutely constant. It is only by tradition and organisation that anything decent can be got out of him.
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Necessity is the mistress and guide of nature.
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'House of Leaves' is certainly about the unsettling nature of fear - and it was my aim to address that - but it's also about recovering from fear.
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After the final no there comes a yes and on that yes the future of the world hangs.
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To the extent that we hyper-separate ourselves from nature and reduce it conceptually in order to justify domination, we not only lose the ability to empathise and to see the non-human sphere in ethical terms, but also get a false sense of our own character and location that includes an illusory sense of autonomy. The failure to see the non-human domain in the richer terms appropriate to ethics licences supposedly ‘purely instrumental’ relationships that distort our perceptions and enframings, impoverish our relations and make us insensitive to dependencies and interconnections.
