Val Plumwood Quotes
To the extent that we hyper-separate ourselves from nature and reduce it conceptually in order to justify domination, we not only lose the ability to empathise and to see the non-human sphere in ethical terms, but also get a false sense of our own character and location that includes an illusory sense of autonomy. The failure to see the non-human domain in the richer terms appropriate to ethics licences supposedly ‘purely instrumental’ relationships that distort our perceptions and enframings, impoverish our relations and make us insensitive to dependencies and interconnections.
Quotes to Explore
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I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
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It's what happens in other major championships - I just lose my head a little bit.
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I think that when we strip people down, most of us want the same things. People just have very different views of how to get there.
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Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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I was working at the NSA. I don't know, I was just bored. I just knew that's not what I was supposed to be doing with my life.
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I never know what is going to have that 'X' factor and what isn't.
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All I did was ask for rights. I didn't attack anyone. I didn't harass anyone. I didn't oppose the system or the country or the authority. All I said is, 'Why can't I drive?'
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We would like to preserve Europe for Europeans.
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I have a different way of thinking. I think synergistically. I'm not linear in thinking, I'm not very logical.
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I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends.
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Um, well, I made a new CD called 'Dream With Me' and it's out now, and I'm really excited about it.
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With realization of one's own potential and self-confidence in one's ability, one can build a better world.
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For me, temptation is life and I have a gargantuan appetite for everything.
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I learned a lot from the various artists I produced. Either you see them doing something that you do want to do it, or you see them doing something the way you don't want to do it.
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You can't sit here and try to predict what kind of character I'm going to be drawn to next. At the time when I read 'The Girl on the Train,' it wasn't like I was, 'Ooh, I want to play a hot mess next.'
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I really feel that New York City is the greatest city in the world.
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I am my own sanctuary and I can be reborn as many times as I choose throughout my life.
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I could still eat a cheeseburger if I wanted to. I just can't have them every day.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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We are not afraid of nuclear weapons. The point is that if we had in fact wanted to build a nuclear bomb, we are brave enough to say that we want it. But we never do that.
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I think writers are observers and watchers. We always have our ears open and eyes open, so I might see something in everyday life that inspires me. And I think that's probably more than anything else. Everyday life is where I get my inspiration.
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To the extent that we hyper-separate ourselves from nature and reduce it conceptually in order to justify domination, we not only lose the ability to empathise and to see the non-human sphere in ethical terms, but also get a false sense of our own character and location that includes an illusory sense of autonomy. The failure to see the non-human domain in the richer terms appropriate to ethics licences supposedly ‘purely instrumental’ relationships that distort our perceptions and enframings, impoverish our relations and make us insensitive to dependencies and interconnections.
