Baran Odar Quotes
It doesn't matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.
Quotes to Explore
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You rarely get satisfaction sitting in an easy chair. If you work in a garden on the other hand, and it yields beautiful tomatoes, that's a good feeling.
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I'm trying to work in studio movies, but they won't hire me.
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Usually when you're working is when people want you to work. They don't want you as much when you're not working. That's the frustrating nature of our business.
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So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
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I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
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I've got pretty good knowledge about pass rushing. But I know I have a lot to work on.
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Nazanin Zaghari-Ratcliffe was not engaged in subversive work; she was an apolitical project manager with the Thomson Reuters Foundation, the charitable arm of the Reuters news agency.
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I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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What's better, a poetic intuition or an intellectual work? I think they complement each other.
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Glory is attained from hard work, step by step.
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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I have not cared for money, and I enjoy working. Money comes my way. People work hard so they get enough money. Or they work hard so they don't have to work hard later in life. But though I don't need money, I still work hard because I like what I am doing.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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This old notion that work is drudgery is nonsense. Most days, even back when Xerox was under siege, I could not wait to get to the office.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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Fencing is a game of living chess, a match where reflexes only work in combination with intent, and mind and body must work together at every moment.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Every book is like starting over again. I've written books every way possible - from using tight outlines to writing from the seat of my pants. Both ways work.
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War is wrong. Conscription for war is inconsistent with freedom of conscience, which is not merely the right to believe but to act on the degree of truth that one receives, to follow a vocation which is God-inspired and God-directed.
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One reason I relate to 'Veronica Mars' fans is because I can totally geek out about shows. I mean, I write Vince Gilligan fan mail every year.
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I believe your personality is formed at a very early age. Fame can magnify that personality, for good or bad, but it can't change it. So when people say to me, 'Don't change,' I'm thinking, To what? To who? Who else would I be?
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Men do not mirror themselves in running water; they mirror themselves in still water.
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It doesn't matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.
