Udo Kier Quotes
Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. "Ah, you worked with Werner - how was it? How did he direct you?" I was Fassbinder's actor.

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Once Dwight Eisenhower makes up his mind, he's full of indecision.
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I got a note from my father, who said that Success is wonderful, if you don't inhale. That was his own aphorism, and I think it's the very best thing he could have said to me or anyone else on the subject.
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I love being the mayor. I want to be the mayor forever.
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I think being idle is quite hard for me to do.
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I think the next set of media companies are going to be created on the web and that YouTube is going to be a big part of that.
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Talent will only take you so far, and it is your ability to feel the music and explore a movement that will bring you the greatest pleasure in dance.
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Scoring the first 10 in history was a big deal, but the fact that even an electronic scoreboard could not figure out how to put out a score, it made the story more historic.
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As the arteries grow hard, the heart grows soft.
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During a movie, chemistry is so important, and yet they just assume actors can fake their way through it. That doesn't always work.
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Warren Beatty once told me that if someone's really stuck on you, find them their next boyfriend. But I could never do that.
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Well, I always say the law was meant to be interpreted in a lenient manner. And that's what I try to do, is sometimes I lean to one side of it, sometimes I lean to the other.
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There is a certain amount of dissatisfaction that goes with knowing your time, talent and abilities are not being properly used.
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Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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You know, I've had an incredible career and I'm blessed.
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By gnawing through a dike, even a rat may drown a nation.
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I just want to sit in my room and write books.
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All winning teams are goal-oriented. Teams like these win consistently because everyone connected with them concentrates on specific objectives. They go about their business with blinders on; nothing will distract them from achieving their aims.
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When you start to work with someone, there's a negotiation that takes place involving what's going to happen when you have a difference of opinion. Most attempts at collaboration never survive the negotiation. Merely being agreeable is not enough.
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I'd like to work on putting art programs back in schools.
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I don't like the idea of separating life and work. That notion seems dated and a bit alien to me.
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On any given night - there are nights that you feel better. There are nights that you are vocally better. There are nights that you are not as vocally good. No question about it.
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Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. "Ah, you worked with Werner - how was it? How did he direct you?" I was Fassbinder's actor.