Michael Moorcock (Michael John Moorcock) Quotes
Quotes to Explore
-
My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
-
I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
-
When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
-
Let us remember: One book, one pen, one child, and one teacher can change the world.
-
A person who publishes a book willfully appears before the populace with his pants down. If it is a good book nothing can hurt him. If it is a bad book nothing can help him.
-
I think Maus I is better than Maus II. The standard here is whether or not it's as good as a great book of prose literature and by that standard, no, it's not that great.
-
I don't know David Cameron very well. I like him. I think you can judge a book by its cover - whoever said you can't is wrong - that's the whole point of nature giving us intuition, instinct and so on. I think the cover is pretty good.
-
I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
-
I'm trying to convey to my audience that you really can't judge a book by its cover, and there's more to the universe than you can see with your eyes.
-
The most important thing about Spaceship Earth - an instruction book didn't come with it.
-
I have only ever read one book in my life, and that is White Fang. It's so frightfully good I've never bothered to read another.
-
It's hard to see a film that's been made from a book that you really loved because it's such a different experience.
-
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
-
Former Dublin newsman Paul Lynch made his debut as a novelist a few years ago with a book called 'Red Sky in Morning,' set in mid-19th century County Donegal, where a rage-driven farmer has committed a murder with devastating results.
-
Which is - you know, like check it out, I'm pretty young, I'm only about 40 years old. I still have maybe another four decades of work left in me. And it's exceedingly likely that anything I write from this point forward is going to be judged by the world as the work that came after the freakish success of my last book, right?
-
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
-
One of the things I would love to do is 'Axe Cop,' which is a comic book. I would like to be involved in 'Axe Cop' someday. I would also love to be in a Western.
-
Be it a video game, comic book, or cheque book, the question always is, 'What story do you have to tell?'
-
I want to write a great book - I want to make a difference - I want to have adventures and take enormous risks and be everything they say we are and not give a damn what anyone says.
-
I'm curious about everything, except what people have to say about me.
-
This principle of unity of the whole along with respect for individual differences is symbolized … in the Mishkan, the Tabernacle.
-
I'm more attracted to the bad guys. Why? Because in real life, I don't know any good guys. I know okay guys. I know polite guys. I know people who can control themselves.
-
The book trade invented literary prizes to stimulate sales, not to reward merit.
