Michael Morpurgo Quotes
A notion for a story is for me a confluence of real events, historical perhaps, or from my own memory to create an exciting fusion.
Quotes to Explore
-
So I didn't have anything to do with picking the songs, but I got to musically take them in places I thought might be interesting, so it was a real neat collaboration among the three of us.
-
The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
-
My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
-
My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
-
You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.
-
I am a complete sentimentalist when it comes to clothes. I have so many memories attached to them that I can't throw anything out.
-
The hippocampus helps record both types of memories initially, and it helps retain them for the medium term. The hippocampus also helps us access old personal memories in long-term storage in other parts of the brain.
-
I like to make the best of what I have. I'm not a supermodel, clearly. I'm not a makeup artist. I'm a real woman.
-
New York as an industry is the best city for real estate. You're in a very transparent market. If you need to liquidate, you make three phone calls and you could sell something, even in the worst market. It is also less forgiving; if you make a mistake you can lose money.
-
'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
-
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
-
I understand that sometimes when you're young it's difficult to remember the difference between real life and what is part of fantasy.
-
I thought I was an old soul, and that I knew life, but then starting the real life, I figured I am completely new.
-
'Kit Kittredge' was an amazing experience because I got to go to Canada, and it was my first 'era' film, so I got to wear the 1930s clothes, the real vintage clothes.
-
I'm a nice middle-class girl in real life, and I'm a mom and a grandma, and I usually play sweet characters.
-
I don't really like the idea of putting myself in any category now... I think that people are looking for music that's real and honest and that they can relate to emotionally.
-
I don't get recognised that much yet in London, but when I do I get a real sense of achievement.
-
I never strike out at any life form. The only things I attack are icons of conspicuous consumption. People put objects in front of their life, in front of anything that has real importance. They make this 'thing' their God.
-
Myth is the system of basic metaphors, images, and stories that in-forms the perceptions, memories, and aspirations of a people; provides the rationale for its institutions, rituals and power structure; and gives a map of the purpose and stages of life.
-
You are committed to what you confess.
-
The attacks of which I have been the object have broken the spring of life in me... People don't realize what it feels like to be constantly insulted.
-
To ignore, repress, or dismiss our feelings is to fail to listen to the stirrings of the Spirit within our emotional life. Jesus listened. In John's Gospel we are told that Jesus was moved with the deepest emotions (11:33)... The gospel portrait of the beloved Child of Abba is that of a man exquisitely attuned to His emotions and uninhibited in expressing them. The Son of Man did not scorn of reject feelings as fickle and unreliable. They were sensitive antennae to which He listened carefully and through which He perceived the will of His Father for congruent speech and action.
-
A notion for a story is for me a confluence of real events, historical perhaps, or from my own memory to create an exciting fusion.
