Michael Pitt Quotes
I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.
Quotes to Explore
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I was always a real athletic kid. Then when I got older, I just figured it was part of life to keep training.
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The real problem at the moment is that the banks - because of their existing culture, which is frankly anti-business, obsession with short-term trading profits, not focusing on the long term - are throttling the recovery of British industry.
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My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
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You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
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The real being of language is that into which we are taken up when we hear it - what is said.
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I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
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I certainly wasn't a fan of Thatcher's politics. People liked to label us as children of Thatcher. What nonsense. The real children of Thatcher came in the 1990s, and had no interest in politics. The Oasis, Britpop scene.
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When it comes to the British monarchy, I prefer to be seduced by an image than presented with a real person. It's kind of a Warhol thing.
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Any real virtual reality enthusiast can look back at VR science fiction. It's not about playing games... 'The Matrix,' 'Snow Crash,' all this fiction was not about sitting in a room playing video games. It's about being in a parallel digital world that exists alongside our own, communicating with other people, playing with other people.
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Every video I'm in, every magazine cover, they stretch you; they make you perfect. It's not real life.
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It's stupid to say that there's any comfort to be had in 'knowing your place,' but there is a sense of reassuring escapism to something like 'Downton Abbey.' There's a perceived romance and elegance that is wonderful to lose yourself in.
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The ethnic differences among Filipinos are very real. The paucity of arable land, for instance, explains the industry of the Ilokanos and the Cebuanos.
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By bringing about a rational drug policy, we'd be freeing up a lot of resources for real crime. Drug disputes would get played out with courts rather than with guns. So it would make this country a much better place overnight.
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I took a break after 'Confessions.' I was real picky. And then I suddenly realized I hadn't worked in a year. And I was sort of, like, not really happy. I think people are happier when they have structure, you know? You realize that as you get older. You have to have rituals and structure.
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One of my real goals was to hear someone whistling a song I'd written.
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The child is a realist in every domain of thought, and it is therefore natural that in the moral sphere he should lay more stress on the external, tangible element than on the hidden motive.
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It is our moral obligation to give every child the very best education possible.
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All actors bring something unexpected to the role because they have to translate what's on the page and make a real character out of the black-and-white text that's there in the script.
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If instead of doing the real work of love you start doing organized propaganda work for me, it is absurd. I need no propaganda or publicity. I do not want propaganda and publicity, but I do want love and honesty. If you cannot live the life of love and honesty, you should stop working for me. I am quite capable of doing my Universal Work alone.
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[The child] takes his play very seriously and he expends large amounts of emotion on it. The opposite of play is not what is serious but what is real.
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You see somewhere along the way, we've allowed the pursuit of fame and things to blind us to the issues that prevent us from moving upward.
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I think my audience is smart. If there's a way to be entertained and get things out - real things, not stupid moral crap - that's the best.
