Robert H. Schuller Quotes
Quotes to Explore
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In social media, people cannot build big followings organically unless what they are putting out to the world has value.
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I'm a black woman who loves hair. I enjoy changing my hair, having fun with it - just hair! I go from braids, to weaves, to wigs, to natural hair.
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It is not possible, given any degree of optimism and generosity in regard to people in general, to set a time limit on creative reflection or a limitation on the number of people involved in the creation.
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I have always believed the iron rule of politics was that women don't vote for men who yell.
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There are a lot of really great cartoonists out there. It's nice to be thought of as one of them.
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I think if you give in and accept society's stereotypes, then you start thinking, 'I cannot dance till late at night because I'm 70.'
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How often I found where I should be going only by setting out for somewhere else.
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All I know is stars and hits, you know what I mean? I don't just sign a guy because he has a hot record. I sign a guy because he's a star. He's a pillar of the community.
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A moment's insight is sometimes worth a life's experience.
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You couldn't find a more stylized boxer than Sugar Ray Leonard.
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A big part of the anti-immigration narrative is the perception that the majority of immigrants are poor, uneducated, and unskilled.
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By far, the best moment of my big league career was when I caught the last out at the World Series.
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In Japan, the average age of agricultural workers is 65.8. When the aging of its population is accelerating so rapidly, it will be very difficult to sustain the sector whether we liberalize trade or not.
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Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
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I think, looking back, there was a lot of fear of success in me. When you are successful, you have to keep it up... it requires you to be responsible, and I had been pretty irresponsible.
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In Kurdistan, there's a lot of hardship – a lot of wars, a lot of bitter and difficult lifestyles. And witnessing all those made me a director.
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Mumbai may not be my city. But it is my kind of city.
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I know when you're in the business of cover sports, you look for 60-minute games and a result. It's never that simple.
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Barry Mann and Cynthia Weil wrote a lot of stuff for Phil Spector... we had done all rock and roll and rhythm and blues. I mean, we liked ballads and I suppose we did them OK, but that wasn't where we were emotionally and musically coming from.
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It was like she understood something about me that she'd never quite understood before. I always felt that when she looked at me, she was trying to find me, trying to find out who I was. But it seemed at that moment that she saw me, that she knew me. But that confused me.
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It would be a foolish high representative who worked that way.
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When we see that our problem is so complicated and so all-encompassing in its intent and content, then we realize that it is no longer a Negro problem, confined only to the American Negro; that it is no longer an American problem, confined only to America, but it is a problem for humanity.
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Actors should never be important. Only directors should have power and place.
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Never underestimate your problem or your ability to deal with it.
