Robert H. Schuller Quotes
Quotes to Explore
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In social media, people cannot build big followings organically unless what they are putting out to the world has value.
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I'm a black woman who loves hair. I enjoy changing my hair, having fun with it - just hair! I go from braids, to weaves, to wigs, to natural hair.
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It is not possible, given any degree of optimism and generosity in regard to people in general, to set a time limit on creative reflection or a limitation on the number of people involved in the creation.
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I have always believed the iron rule of politics was that women don't vote for men who yell.
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There are a lot of really great cartoonists out there. It's nice to be thought of as one of them.
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I think if you give in and accept society's stereotypes, then you start thinking, 'I cannot dance till late at night because I'm 70.'
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How often I found where I should be going only by setting out for somewhere else.
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All I know is stars and hits, you know what I mean? I don't just sign a guy because he has a hot record. I sign a guy because he's a star. He's a pillar of the community.
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A moment's insight is sometimes worth a life's experience.
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You couldn't find a more stylized boxer than Sugar Ray Leonard.
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A big part of the anti-immigration narrative is the perception that the majority of immigrants are poor, uneducated, and unskilled.
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By far, the best moment of my big league career was when I caught the last out at the World Series.
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In Japan, the average age of agricultural workers is 65.8. When the aging of its population is accelerating so rapidly, it will be very difficult to sustain the sector whether we liberalize trade or not.
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Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
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I think, looking back, there was a lot of fear of success in me. When you are successful, you have to keep it up... it requires you to be responsible, and I had been pretty irresponsible.
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In Kurdistan, there's a lot of hardship – a lot of wars, a lot of bitter and difficult lifestyles. And witnessing all those made me a director.
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Mumbai may not be my city. But it is my kind of city.
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I know when you're in the business of cover sports, you look for 60-minute games and a result. It's never that simple.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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In Mexico, audiences want to see a big discussion around a film - what we expect from Hollywood films worldwide is more of an entertaining show. 'Y Tu Mama Tambien' was a road movie and comedy, but it had a very strong political connotation that sparked a discussion in Mexico that is still going on.
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I grew up in the traditional American newspaper world with a morning paper and an afternoon paper competing with each other beat by beat by beat. It was the most fun I've ever had. And it was great for journalism.
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I never use that word, retire.
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I really needed to dramatize and clarify that Rachel was taking strides towards her own healing and her own sobriety - and that she was actually thoroughly frightened about what she may have done.This was something that was so beautifully done in the book [The Girl on the Train] through inner monologue, but I couldn't just have a whole film filled with inner monologues. So going to Alcoholics Anonymous was a very simple solution to that problem.
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Never underestimate your problem or your ability to deal with it.
