Michael Potts Quotes
My acting teacher, Earle Gister. He had a genius for knowing exactly where every one of us were in our development as actors. He always knew precisely what to say or suggest to unlock a moment. He somehow always made it seem like it was our idea. I call him 'The Invisible Hand.'
Quotes to Explore
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And that will increasingly dawn on people. The demand for controlling the commanding heights will grow.
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That's what I like about Neil Jordan's films: everyone is better at what they do than you are.
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The novel moves like all the arts. It's transforming itself all the time.
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Acting is doing. It's not speaking; it's behavior. It's something happening, even if you're only listening.
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I would rather have a million friends than a million dollars.
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I don't have business with any politicians.
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We don't wake up happy and looking absolutely perfect and feeling amazing every day, you know? We're only human. So I think, with me, I'm not really scared to let people see that - because it's real.
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I did try fillers once. Don't ever have fillers because when your cheekbones are high, it's chipmunk time.
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I really am an open book. I don't keep anything in at all, which is good and bad.
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Happiness is not something that just comes to you. It's an active process.
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I can tell you Kristen Hager is one of my all time favorite people to work with ever and one of the greatest scene partners, and I'm such a lucky guy.
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I loved 'White Christmas' for the music aspect. I was into musical theater.
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The vanity of men, a constant insult to women, is also the ground for the implicit feminine claim of superior sensitivity and morality.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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I like jazz, rock n' roll, some hip hop - I can't think of any music I don't like.
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My mom taught me to live by the three p's: to always be passionate, persistent, and prepared.
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A laugh, if purchased at the expense of propriety, costs too much.
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I want to write weirder stuff and convince people that it's Top 40.
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WWE was an opportunity to wrestle in front of thousands - in 2013, I did 227 matches, and almost all of them were in front of more than three or four thousand people, with a high of 70,000 plus. It was an incredible experience to be part of that.
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After so many years of rejection, I felt acting would have to become a hobby rather than a full-time profession.
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Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.
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I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
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My acting teacher, Earle Gister. He had a genius for knowing exactly where every one of us were in our development as actors. He always knew precisely what to say or suggest to unlock a moment. He somehow always made it seem like it was our idea. I call him 'The Invisible Hand.'
