Michael Rapaport Quotes
Quotes to Explore
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I think we should be encouraged to learn from Columbine and let it be a battle cry for all of us.
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I think I'd be a million times more successful and more iconic if I was a singer in the '40s. I'd be allowed a level of mystery, and I think I'd suit that decade.
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I tend to think of stories and books as being for everyone, just with an 'entry reading age' rather than an age range.
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I think the fossil fuel industry is genuinely freaked out by the combination of the price collapse, the divestment movement, and that fact that renewable energy is getting so cheap so fast.
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The basic idea for what became 'Epic Mickey' began at the Disney Think Tank.
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Young adults in their late 20s are confronted by so many choices - there are so many different paths to choose. Sometimes I think we just fill our lives with stuff so we don't really make any choice at all, which is certainly incredibly luxurious.
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The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise with the occasion. As our case is new, so we must think anew and act anew.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.
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I think I've become more comfortable about being a human being.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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I think that most people don't even know that I do other things. They think that Homer is all that I do.
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Look, I've always said from the word go many years ago that I felt the whole bonus culture, they need to think very carefully about being detached from the rest of the British public.
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I think it's about not just the crisis you're in, but how do you get to the other side? How do we heal? How do we survive this experience while remaining hopeful instead of filled with despair? That's what interests me.
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I think female-centric films shouldn't be only about thriller or horror. Angelina Jolie has been doing all kinds of stuff.
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I think women are by nature competitive - secretly, privately within their own selves, on lots of different levels, on the way they look, perform.
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I think that civil rights issues take a lot of time to develop.
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I'm not afraid of death, but I resent it. I think it's unfair and irritating.
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An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.
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People talk about 'getting rid of the old image', and I guess there's some merit in that. But the truth is that people loved 'The Wonder Years' - I can't turn my back on it.
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After people have repeated a phrase a great number of times, they begin to realize it has meaning and may even be true.
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Praise, like gold and diamonds, owes its value only to its scarcity.
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Maybe directors who are more interested in realism and naturalism come from cities, where they see things on their doorstep every day. But growing up as a kid in a very pretty but ever-so-slightly boring town, where not a great deal happened, encouraged me to be more escapist, more imaginative, and more of a daydreamer.
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I don't think the subject of a documentary film should be producers on it.
