Rita Mae Brown Quotes
Quotes to Explore
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I have worked with some great directors.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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Investors tend to discover 'hot' mutual fund managers just after a successful run and just before the inescapable force of mean reversion is about to kick in.
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Life is made up of sobs, sniffles, and smiles, with sniffles predominating.
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For a long time I have been thinking about affordable fashion - you can be disappointed when not so many people can wear your stuff.
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I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
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There's a generative material relationship between the material and the image that comes up.
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Immigration is the sincerest form of flattery.
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When you start talking about sacrifices, pretty soon people start feeling like chumps.
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Women drive box office.
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'The Story of Us' is about running into someone I had been in a relationship with at an awards show, and we were seated a few seats away from each other. I just wanted to say to him, 'Is this killing you? Because it's killing me.' But I didn't. Because I couldn't. Because we both had these silent shields up.
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With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
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Once you're a Virginian, you're always a Virginian.
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Customers are enormously punishing when companies don't meet their expectations.
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Filming '24' is just like watching '24.'
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What I enjoy most is that every day I get to play a new character.
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But nothing beats a Woody Allen film on a Sunday night, with a glass of wine and some leftovers.
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I always felt that anorexia was the form of breakdown most readily available to adolescent girls.
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I was surprised when I finally moved to Boston and the East Coast, to discover that there weren't that many vibraphone players around. And I was the only one playing with four mallets.
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Live with a man forty years. Share his house, his meals, speak on every subject. Then tie him up and hold him over the volcano's edge, and on that day, you will finally meet the man.
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I can take pot or leave it. I got busted in Japan for it. I was nine days without it and there wasn't a hint of withdrawal, nothing.
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My dad was a keen actor when he was young; my auntie is heavily involved in amateur dramatics back in Northern Ireland, and my great aunt was a woman called Greer Garson.
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Dad could charm a dog off a meat wagon.