Tony Kushner Quotes
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Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution.
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You have to have hope. It's irresponsible to give false hope, which I think a lot of playwrights are guilty of. But I also think it's irresponsible to simply be a nihilist, which quite a lot of playwrights, especially playwrights younger than me, have become guilty of.
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I'm not a poet. I wish I was a poet but I'm not. I'm a playwright. And so I have a different set of antecedents.
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I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.
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I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points.
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Gay writers now have both a sense of history and the fables that allows them to dwell in the realms of the ridiculous and at the same time talk seriously about things.
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Who knows better than artists how much ugliness there is on the way to beauty, how many ghastly, mortifying missteps, how many days of granitic blockheadedness and dismaying ineptitude there is on the way to accomplishment, how partial all accomplishment is, how incomplete?
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The smallest indivisible human unit is two people, not one; one is a fiction. From such nets of souls societies, the social world, human life springs.
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People shouldn't trust artists and they shouldn't trust art. Part of the fun of art is that it invites you to interpret it.
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A play is never finished. You'll find out how much I mean that when you read my Last Will and Testament.
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Gay TV has been immensely important in transforming American culture in a more gay-positive direction.
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My whole life has conspired to bring me to this place, and I can’t despise my whole life.
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In the modern era, it isn't enough to write, you must also be the Writer, with a capital 'W,' and play your part as the protagonist in the cautionary narrative in which you will fail or triumph, be in or out, hot or cold, ride the wheel of fortune.
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I grew up in a small Southern town, and there were white people and black people. Coming to New York to go to Columbia, every time I went into the subway I was absolutely astounded because you see people from all over the world who actually live here - who aren't just here as tourists.
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The fear of a work becoming dated is one of the most effective tools for keeping people from writing political work.
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I tend to be sort of quiet and shy and awkward in social situations.
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One of the things I love about my job as a playwright or as a screenwriter is that I get to do a lot of research and a lot of thinking and taking a lot of notes before I turn it in.
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And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
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The general consensus among historians, among the ones who can handle the fact that 'Lincoln' is, in fact, historical fiction, is that we demonstrate enormous fidelity to history and that, beyond that, we've actually contributed a line of thinking about Lincoln's presidency that's somewhat original.
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I don't feel, finally, that my politics are entirely determined by the fact that I'm a gay man.
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The dreams of the left are always beautiful - the imagining of a better world, the damnation of the present one. This faith, this luminescent anger - these are worthy of being called human. These are the Beautiful that an age produces.
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There are no gods here, no ghosts and spirits in America, there are no angels in America, no spiritual past, no racial past, there's only the political, and the decoys and the ploys to maneuver around the inescapable battle of politics.
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I'm happy that I feel a little less out of place in filmmaking than I once was - but it's almost impossible for a playwright in the U.S. to make a living. You can have a play, like I did with 'Angels,' and it still generates income for me, but it's not enough for me to live on and have health insurance.
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Part of what makes for good writing is an ear for what we would call the poetical. Poetry itself is another thing and it seems to me to be the most difficult writing - that those people are the best writers and they lead the way for everyone else and their writing is frighteningly great.