Madison Marlow Quotes
Quotes to Explore
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If you make a film too American, it won't travel. It will have no life outside of its own country.
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The treatment by some towards these young refugees is hideously racist and utterly heartless. What's happening to our country?
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I love dogs, but dogs, you have to be in the country with dogs. I cannot walk a dog on the street.
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If you meet a girl, you meet a girl. It's normal, so if you exchange numbers, whatevs, it's cool.
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If I had undertaken the practical direction of military operations, and anything went amiss, I feared that my conscience would torture me, as guilty of the fall of my country, as I had not been familiar with military tactics.
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When I first came out, country wouldn't touch me because I was way too rock, and rock wouldn't touch me because I was definitely country.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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I'm the girl next door, not the sex symbol.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
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It's hard to absorb and to allow all that attention and accolades for 'Rent' because the rest of the country doesn't know who we are. Once I walk out of the door of 'Rent,' and I'm on the subway, it doesn't matter. It's an exaggerated sense of fame.
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I'm a California girl. I grew up in Inglewood right by LAX.
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I have never been a material girl. My father always told me never to love anything that cannot love you back.
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Great law schools like Northwestern are here to expand the minds of their students, to allow them to achieve their personal goals, to enable them to contribute, to give back in ways that they could not without the education they receive here, and to help them make the greatest country in the world just a little more accessible, a little fairer.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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I've written extensively on Queen Victoria and Queen Elizabeth and seen up close how those women, who were born when the country hoped for a male heir, made their way as leaders.
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This country is about, in my judgment, aggressive, open debate. There is an old saying: When everyone is thinking the same thing, no one is thinking very much.
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The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
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I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.
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We are world leaders, and we need to act like it.
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Every year I look at the 'GQ' Best-Dressed List and have thought what an honour it must be to be included. I couldn't believe my eyes when I saw my own face in there.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
