Sue Hubbell (Suzanne Hubbell) Quotes
Quotes to Explore
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We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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The networks are not some chicken-coop manufacturing lobby whose calls nobody returns.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
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First you take a drink, then the drink takes a drink, then the drink takes you.
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If a film is very clever and well-written, that's what gives you freedom as a director.
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Whenever there was a pause on the 'Hercules' set, everybody whipped their Blackberries out of their skirts - 'Are you texting the King of Thrace to tell them we're on our way?'
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A sore arm is like a headache or a toothache. It can make you feel bad, but if you just forget about it and do what you have to do, it will go away. If you really like to pitch and you want to pitch, that's what you'll do.
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This gorgeous Chinese girl gets up and I fell in love instantly.
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Rich men's houses are seldom beautiful, rarely comfortable, and never original. It is a constant source of surprise to people of moderate means to observe how little a big fortune contributes to Beauty.
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A liberal is a man or a woman or a child who looks forward to a better day, a more tranquil night, and a bright, infinite future.
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I never failed in mathematics. Before I was fifteen I had mastered differential and integral calculus.
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IT put India on the map of the world and told Indians that they are somebody in the world. There is something about technology that is very empowering: 'We are designing software for the best companies in the world.'
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President Clinton knew the course and goes, 'Here's what you want to do here.' By the fourth hole, you wanted to hit him with your putter.
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General statements omit what we really want to know. Example: some horses run faster than others.
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When you've written long enough, you see that there's a common theme in your work.
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I followed him at the time and thought he was hysterical. He was the first serial killer, a new kettle of fish, because we didn't have the detection techniques in those days.
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There is no similarity between golf and putting; they are two different games, one played in the air, and the other on the ground.
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Such is the art of writing as Dreiser understands it and practices it--an endless piling up of minutiae, an almost ferocious tracking down of ions, electrons and molecules, an unshakable determination to tell it all. One is amazed by the mole-like diligence of the man, and no less by his exasperating disregard for the ease of his readers.
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I know what labels and artists need, along with the consumer.
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Well, I like to have fun at work.
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That suspension of disbelief that's required as an actor to live truthfully in imaginary circumstances is different to what needs to happen as a director, in the sense that you are the master of all the moving parts. You create the world in every detail.
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I think the really significant part of it for us, for the western world, is we have a lot to gain from the Tibetans - there are certain lessons that are within Tibetan culture. I mean understandings of compassion and of nonviolence that are things that we really lack in our society.
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We humans are a minority of giants stumbling around in a world of little things.
