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Methodologically speaking, the rejection by John Boswell of the categorical opposition between homosexual and heterosexual, which plays such a significant role in the way our culture conceives of homosexuality, represents an advance not only in scholarship but in cultural criticism as well.
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Power is not an institution, and not a structure; neither is it a certain strength we are endowed with; it is the name that one attributes to a complex strategical situation in a particular society.
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Political power goes much deeper than one suspects; there are centres and invisible, little-known points of support; its true resistance, its true solidity is perhaps where one doesn't expect it.
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It is over life, throughout its unfolding, that power establishes its dominion; death is power's limit, the moment that escapes it; death becomes the most secret aspect of existence, the most private.
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At every moment, step by step, one must confront what one is thinking and saying with what one is doing, what one is.
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I don’t feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning. If you knew when you began a book what you would say at the end, do you think that you would have the courage to write it? What is true for writing and for love relationships is true also for life. The game is worthwhile insofar as we don’t know what will be the end.
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The best moment of love is when the lover leaves in the taxi.
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We must uncover our rituals for what they are: completely arbitrary things, tied to our bourgeois way of life; it isgood-and that is the real theater-totranscend them in the manner of play, bymeans of games and irony; it is good to be dirty and bearded, to have long hair,to look like a girl when one is a boy (and vice versa); one must put "inplay," show up, transform and reversethe systems which quietly order us about.
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In the Renaissance, madness was present everywhere and mingled with every experience by its images or its dangers. During the classical period, madness was shown, but on the other side of bars; if present, it was at a distance, under the eyes of a reason that no longer felt any relation to it and that would not compromise itself by too close a resemblance. Madness had become a thing to look at: no longer a monster inside oneself, but an animal with strange mechanisms, a bestiality from which man had long since been suppressed.
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Knowledge is not for knowing: knowledge is for cutting.
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If I open a book and see that the author is accusing an adversary of "infantile leftism" I shut it again right away. That's not my way of doing things; I don't belong to the world of people who do things that way. I insist on this difference as something essential: a whole morality is at stake; the one that concerns the search for truth and the relation to the other.
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It might be said that all knowledge is linked to the essential forms of cruelty.
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An American professor complained that a crypto-Marxist like me was invited in the USA, and I was denounced by the press in Eastern European countries for being an accomplice of the dissidents. None of these descriptions is important by itself; taken together, on the other hand, they mean something. And I must admit that I rather like what they mean.
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We are freer than we think.
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If I won a few billion in the lottery, I would create an institute where people who would like to die would come spend a weekend, a week, or a month in pleasure, under drugs perhaps, in order to disappear afterward, as if erased.
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Do not ask who I am and do not ask me to remain the same. More than one person, doubtless like me, writes in order to have no face.
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Probably it's insufficient to say that behind the governments, behind the apparatus of the State, there is the dominant class; one must locate the point of activity, the places and forms in which its domination is exercised. And because this domination is not simply the expression in political terms of economic exploitation, it is its instrument and, to a large extent, the condition which makes it possible; the suppression of the one is achieved through the exhaustive discernment of the other.
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The lyricism of marginality may find inspiration in the image of the outlaw, the great social nomad, who prowls on the confines of a docile, frightened order.
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If those arrangements the fundamental arrangements of knowledge were to disappear as they appeared... then one can certainly wager that man would be erased, like a face drawn in sand at the edge of the sea.
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I don't feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning.
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A law which excludes all dialectic and all reconciliation; which establishes, consequently, both the flawless unity of knowledge and the uncompromising division of tragic existence; it rules over a world without twilight, which knows no effusion, nor the attenuated cares of lyricism; everything must be either waking or dream, truth or darkness, the light of being or the nothingness of shadow.
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From the idea that the self is not given to us, I think there is only one practical consequence: we have to create ourselves as a work of art.
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One makes war to win, not because it's just.
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One thing in any case is certain: man is neither the oldest nor the most constant problem that has been posed for human knowledge.