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I'm engaged to Hollywood. If there's something I find I have to do, I'll do it. Otherwise, I'll just stay home and have a vacation.
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I felt perhaps 'The Girl with the Dragon Tattoo' was a little premature. It was a huge hit around the world - it was still running in the theatres - and the Americans at that time were already shooting the remake, and I was like, 'Whoa! Give it a break of five or six years and get a little inspired, and then do it.'
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I've never been a big fan of making telepathy to the audience. That would be too much a wink in the eye. That would make people around me fools, right?
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If I do my very best, then the camera and the audience will follow me, and eventually they will somehow feel like I feel. I don't have to show it to them. I don't have to speak it out loud.
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II know a little about Greek mythology. It's not that far away from the Nordic mythology.
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The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
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I go to the pub, hang out with my family - that's pretty much it. I also do a lot of sports when I get the chance. I'm actually a pretty mellow guy.
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I will never be a fan of any kind of political correctness: I think it's instant death to creativity.
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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There's no such thing as easy, but it's easier when a script is good.
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I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
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A solid family, as they say. They join me on location if they have a chance, but I can also be home three or four months doing nothing, so I probably see my kids more than people who work constantly all year long. If that changes, we'll have to have a family meeting.
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I've been watching 'Walking Dead' with my son, and there is absolutely nothing in there I find shocking, but it's cool, and I like it.
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We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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If I was doing 'The Hunt' constantly, I would get very old, very fast.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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Once in a while, when I'm out on the lawn, I'll jump around and do a couple of things. Here's a secret: The older you get, the more difficult it gets. The smallest little injury stays with you for so long. But that's how it goes, and it doesn't stop me. I'm always ready to do something that hurts a little!
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If you're not bruised up, then you're not doing an action film in a real way.
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The whole Fannibal thing is predominantly something that happens in a world I don't know about, which is the Internet.
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Being physical and doing my own stunts - it is fun to do these kind of films once in a while, especially before you get too old.
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When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
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One thing I can say about the French language is that no one in the world loves their language as much as they do. It doesn't matter if you're close - it still sounds terrible to their ears.
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I fancy myself at being pretty good at understanding a script and finding the weaknesses, and then making them more radical than they are. People tend to listen to me.