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I've never been a big fan of making telepathy to the audience. That would be too much a wink in the eye. That would make people around me fools, right?
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I'm engaged to Hollywood. If there's something I find I have to do, I'll do it. Otherwise, I'll just stay home and have a vacation.
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If I was doing 'The Hunt' constantly, I would get very old, very fast.
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I was a gymnast for many years before I was a dancer, so it comes in pretty handy when we do stunts.
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If I do my very best, then the camera and the audience will follow me, and eventually they will somehow feel like I feel. I don't have to show it to them. I don't have to speak it out loud.
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Being physical and doing my own stunts - it is fun to do these kind of films once in a while, especially before you get too old.
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I felt perhaps 'The Girl with the Dragon Tattoo' was a little premature. It was a huge hit around the world - it was still running in the theatres - and the Americans at that time were already shooting the remake, and I was like, 'Whoa! Give it a break of five or six years and get a little inspired, and then do it.'
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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A solid family, as they say. They join me on location if they have a chance, but I can also be home three or four months doing nothing, so I probably see my kids more than people who work constantly all year long. If that changes, we'll have to have a family meeting.
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I will never be a fan of any kind of political correctness: I think it's instant death to creativity.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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II know a little about Greek mythology. It's not that far away from the Nordic mythology.
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If you're not bruised up, then you're not doing an action film in a real way.
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The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
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If you have to be frightening, you need some actors around you to be really frightened. And if they're not frightened, you're not so frightening anymore. In the same way, people say, 'I think you come in, and you're really sexy'. But how do you play sexy? It depends on the eyes that are looking.
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When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
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I was very energetic and very small. I didn't start growing until the last year of high school.
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The whole Fannibal thing is predominantly something that happens in a world I don't know about, which is the Internet.
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England and Denmark have a sense of irony and a darker sense of humour that you don't necessarily find in Germany and Sweden.
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Once you do one bad guy, usually all you get offered is bad guys.
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I watched westerns when I was a kid, like everybody else, but I wasn't a total nerd or geek about it. I kind of fell in love with westerns heavily when I started watching Sergio Leone's westerns.
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There's no such thing as easy, but it's easier when a script is good.
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I've been watching 'Walking Dead' with my son, and there is absolutely nothing in there I find shocking, but it's cool, and I like it.