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If I do my very best, then the camera and the audience will follow me, and eventually they will somehow feel like I feel. I don't have to show it to them. I don't have to speak it out loud.
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II know a little about Greek mythology. It's not that far away from the Nordic mythology.
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I was into sports and swimming as a kid and didn't spend a whole lot of time sitting down. I was a gymnast.
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I'm engaged to Hollywood. If there's something I find I have to do, I'll do it. Otherwise, I'll just stay home and have a vacation.
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I've never been a big fan of making telepathy to the audience. That would be too much a wink in the eye. That would make people around me fools, right?
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I will never be a fan of any kind of political correctness: I think it's instant death to creativity.
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The physicality of any character is always split up into fast, slow, high energy, low energy, what kind of personality he has. So that's where the physicality comes in. And flying through the air is just something you have to do if they ask you.
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I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
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I go to the pub, hang out with my family - that's pretty much it. I also do a lot of sports when I get the chance. I'm actually a pretty mellow guy.
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There's no such thing as easy, but it's easier when a script is good.
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We have no chance to comprehend what goes on there - it's so dramatic, and people are so poor. We all felt bad about being there. Filming in India felt like we were going to borrow something knowing that we were never going to give it back.
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I've been watching 'Walking Dead' with my son, and there is absolutely nothing in there I find shocking, but it's cool, and I like it.
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I don't necessarily prefer playing villains. I know a lot of people say they are more fun, but if the scriptwriter has done their work well, you can find something realistic in a villain and find the mistakes in a hero - it's all down to the writing.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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Once in a while, when I'm out on the lawn, I'll jump around and do a couple of things. Here's a secret: The older you get, the more difficult it gets. The smallest little injury stays with you for so long. But that's how it goes, and it doesn't stop me. I'm always ready to do something that hurts a little!
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If I was doing 'The Hunt' constantly, I would get very old, very fast.
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If you're not bruised up, then you're not doing an action film in a real way.
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The whole Fannibal thing is predominantly something that happens in a world I don't know about, which is the Internet.
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A solid family, as they say. They join me on location if they have a chance, but I can also be home three or four months doing nothing, so I probably see my kids more than people who work constantly all year long. If that changes, we'll have to have a family meeting.
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When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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One thing I can say about the French language is that no one in the world loves their language as much as they do. It doesn't matter if you're close - it still sounds terrible to their ears.
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Being physical and doing my own stunts - it is fun to do these kind of films once in a while, especially before you get too old.
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I fancy myself at being pretty good at understanding a script and finding the weaknesses, and then making them more radical than they are. People tend to listen to me.