Harry Callahan Quotes
Quotes to Explore
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Well, you know, in this crazy world of entertainment, I would say if you have a dream, you have to pursue it.
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If we slide into a pattern of just thinking about today, we'll end up reacting to yesterday instead of shaping something more constructive in the world.
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Self-preservation is the first law of nature.
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I like to discover new things.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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My dad believed in scaring us as we were growing up. Scaring the boys who wanted to date us more.
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'Hard Times' does not romanticize the Depression, but at least a few of Mr. Terkel's subjects managed to find silver linings.
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For a number of years in England nobody had any idea what I looked like.
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I will try to give my 100% in the field and do my job.
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I want to meet everybody on 'Disney Channel' and 'Disney XD' that are alive.
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All religions and all communities have the same rights, and it is my responsibility to ensure their complete and total protection. My government will not tolerate or accept any discrimination based on caste, creed and religion.
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A woman would pitch a joke. Nothing. Then a guy would pitch it and everybody would laugh.
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The being without an opinion is so painful to human nature that most people will leap to a hasty opinion rather than undergo it.
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People who know me know that there's a light-hearted side, humour... But you could easily say I am cheeky.
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After I won the Tony Award, the film floodgates opened, so I was like a kid in a candy store.
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When you're on set, the crew are like your family because you see them every day, six days a week.
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A soul preoccupied with great ideas best performs small duties.
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I tell my wife she is only the third most important thing after my country and my parents, in that order.
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Tom Jones is like igloo-cool.
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In the history and literature courses I took, epistemological questions came to interest me most. What makes one explanation of the French Revolution better than another? What makes one interpretation of "Waiting for Godot" better than another? These questions led me to philosophy and then to philosophy of science.
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We come into the world whole, all of us, but we don't know that, don't know that life will be taking large chunks out of us, forever.
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I think so much of art is unconscious anyway, the artist doesn't know the real reason they're doing it. They're just kind of going along with it intuitively.
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Sexism is real.
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I think I came alive when I started photography.
