Susanna Moore Quotes
I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
Quotes to Explore
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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I don't go out anywhere. I don't go to nightclubs, so meeting somebody in the nightclub is out of question.
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Reverence is fatal to literature.
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Everyone always says, 'When you look at a boy band, one of them has to be gay.' No, they don't.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I've been playing old parts forever. I play 93 quite often. When you've done it more than once, you take the hint. I think it's a great burden if you're one of those fantastic stars who've always been beautiful; then I think it's hard.
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I love the truth. Tell the truth and live the truth, because we've seen enough lies and look what it's doing.
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Every man is the architect of his own fortune.
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I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
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The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
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All I can do is leave it in God's hands and hope that my fans feel where I'm coming from.
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Remember how small the world was before I came along? I brought it all to life: I moved the whole world onto a 20-foot screen.
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You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
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I have a few homes, and Los Angeles is certainly one of them.
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I give up on spending time on these courts; I give up on practicing before the tournament I hate. I hate this.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
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A lot of my work is about what's abstract and what's pictorial. Is it bubblegum, or is it an abstract painting using bubblegum? The energy comes from walking that line and watching things dip this way and that.
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When I started, I'd hear other people saying, 'God, she's so bizarre-looking,' because I didn't look like the girl next door. But I was just normal. I was the girl next door. There were people in high fashion I could better relate to who were doing something more interesting and not talking this sort of rubbish.
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A table, a chair, a bowl of fruit and a violin; what else does a man need to be happy.
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Frankly, I don't like publicity.
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I like computers. I like the Internet. It's a tool that can be used. But don't be misled into thinking that these technologies are anything other than aspects of a degenerate economic system.
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I'm not in the business to make people aware of me, and publicists are very expensive - they're $3,500 a month! I don't want to spend that kind of money so I can get a stupid article in 'Interview' magazine.
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I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
