Susanna Moore Quotes
I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
Quotes to Explore
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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I don't go out anywhere. I don't go to nightclubs, so meeting somebody in the nightclub is out of question.
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Reverence is fatal to literature.
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Everyone always says, 'When you look at a boy band, one of them has to be gay.' No, they don't.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I've been playing old parts forever. I play 93 quite often. When you've done it more than once, you take the hint. I think it's a great burden if you're one of those fantastic stars who've always been beautiful; then I think it's hard.
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I love the truth. Tell the truth and live the truth, because we've seen enough lies and look what it's doing.
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Every man is the architect of his own fortune.
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I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.
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I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
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The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need.
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All I can do is leave it in God's hands and hope that my fans feel where I'm coming from.
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Remember how small the world was before I came along? I brought it all to life: I moved the whole world onto a 20-foot screen.
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You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
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My job in 'Motive' is to be the rebellious teenager - what boy wouldn't want to be that?
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I have a few homes, and Los Angeles is certainly one of them.
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I give up on spending time on these courts; I give up on practicing before the tournament I hate. I hate this.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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I'm intrigued by films that have a singular vision behind them. A lot of studio movies have ten writers by the time they're done. You have a movie testing 200 times, making adjustments according to various people's opinions. It's difficult to have an undistilled vision.
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For me, I always think about keeping my upper body relaxed, my hips level, and my right side down on the turn. If I work on nailing those three things at every practice, I hope that by the time I get into a race situation I can stay completely focused on the task at hand, and the rest will happen naturally.
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I'm happy that I'm at a moment where I'm not standing here going what do I do next?
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Some day we’ll all be happy. I promise you. And there won’t be any more fighting.
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We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
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I have to admit that I was very happy to finish 'In the Cut,' and happy not to return to it.
