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Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
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When people see an actor speak, they think they know him or her, whereas I'm just a face or a body to them.
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I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
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Just to go into a shop without getting stared at would be nice. I mean, I don't walk around like, 'Oh, I'm trying to be famous' - I try to lead as normal a life as possible - but sometimes it's annoying. It's fine; it's not a massive problem, but sometimes it's just a bit uncomfortable.
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I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.
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I organize my denim, leather, and dresses by color, although my jeans are pretty much just black and gray.
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I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
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What people say isn't going to stop me. I have to do things for myself.
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Modeling is a job. Even my mum doesn't believe that I do work hard.
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I was really nervous, intimidated by the whole thing-all the people and all the buzzing, and all the sitting around waiting. I felt really small in this huge place.
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I used to be so scared about, 'Oh, I don't want to show my body.' Now that I've shown it, it doesn't bug me about my moles, or 'This isn't big enough' and 'That's not smooth enough.'
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Actors do like watching girls parade down the runway for some reason.
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I can do a good roast with my eyes closed. I'm amazing with gravy. That's my speciality; even other people ask me to do gravy at their house. I'm very proud of my gravy.
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People don't hear me talk. They don't expect me to.
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I was doing shows and flying economy, and nobody ever fed me. Or I'd be staying in hotels so cheap that by the time I'd get in, there wasn't any room service. I didn't eat for a long time. Not on purpose. You'd be on shoots with bad food or get on a plane, and the food would be so disgusting you couldn't eat it.
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Now I'm being blamed not only for anorexia but for lung cancer. - On being a social smoker.
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I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
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I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
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If the plane lost all my luggage, and I was somewhere sunny like Ibiza, I would just get a bikini, shorts, T-shirt, and sandals. If it was somewhere colder like New York, I'd go for jeans, jacket, and a pair of Louboutins.
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I always go to sleep on the plane. Then I try and stay up whenever I get where I'm going to and get straight into the time zone I'm in.
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Topshop is the only brand I've ever collaborated with on a fashion collection.
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I am so romantic about Gypsies. They're not allowed to do anything until they get married. So they all get married really young, at sixteen.
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It was kind of boring for me to have to eat. I would know that I had to, and I would.
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I own a Hangman jumper, which looks like a scarf, but that's what it's called. It cost a fortune, but it was worth it.