Kate Moss Quotes
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At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.
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I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
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I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
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When people see an actor speak, they think they know him or her, whereas I'm just a face or a body to them.
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People don't hear me talk. They don't expect me to.
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It was kind of boring for me to have to eat. I would know that I had to, and I would.
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What people say isn't going to stop me. I have to do things for myself.
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Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
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Now I can walk into a room full of people I don't know and do my job. That's quite a massive thing to learn, I think.
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You can be a pretty face, but if you're not a nice person, it just doesn't work. I'm not traditionally a beauty, but apparently people think I'm all right. If you're a nice person, it definitely helps.
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I make jam, and oh my God, it is so delicious.
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I organize my denim, leather, and dresses by color, although my jeans are pretty much just black and gray.
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I lived in New York for seven years, although I was always in denial about it. Even though I had an apartment there, I always pretended I was just visiting. I do love New York. But I'm a Londoner at heart.
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I was doing shows and flying economy, and nobody ever fed me. Or I'd be staying in hotels so cheap that by the time I'd get in, there wasn't any room service. I didn't eat for a long time. Not on purpose. You'd be on shoots with bad food or get on a plane, and the food would be so disgusting you couldn't eat it.
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I'm always thinking, 'My goodness, I got booked again!' So I am really happy to still be working.
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Actors do like watching girls parade down the runway for some reason.
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There's always a dinner to go to. There're always loads of people around. I was having fun working with my friends. For a while it all just kind of rolled together in a great way.
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I had a nervous breakdown when I was 17 or 18, when I had to go and work with Marky Mark and Herb Ritts. It didn't feel like me at all. I felt really bad about straddling this buff guy. I didn't like it.
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I own a Hangman jumper, which looks like a scarf, but that's what it's called. It cost a fortune, but it was worth it.
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I used to be so scared about, 'Oh, I don't want to show my body.' Now that I've shown it, it doesn't bug me about my moles, or 'This isn't big enough' and 'That's not smooth enough.'
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Modeling is a job. Even my mum doesn't believe that I do work hard.
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.
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I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.