Kate Moss Quotes
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I don't think my daughter wants to see me on the toilet. Lila has seen me nude.
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There's always a dinner to go to. There're always loads of people around. I was having fun working with my friends. For a while it all just kind of rolled together in a great way.
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I'm happier on the runway than I am on the red carpet. Because then I am not being myself. I think, on the red carpet, it's a weird, like, 'Who am I? Am I me? Am I them?'
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I lived in New York for seven years, although I was always in denial about it. Even though I had an apartment there, I always pretended I was just visiting. I do love New York. But I'm a Londoner at heart.
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I'm always thinking, 'My goodness, I got booked again!' So I am really happy to still be working.
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I organize my denim, leather, and dresses by color, although my jeans are pretty much just black and gray.
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What people say isn't going to stop me. I have to do things for myself.
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Actors do like watching girls parade down the runway for some reason.
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At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.
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I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
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I was never anorexic, so I was never that skinny. I was never bony-bony. But I remember thinking, I don't want to be this skinny.
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I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
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I used to be so scared about, 'Oh, I don't want to show my body.' Now that I've shown it, it doesn't bug me about my moles, or 'This isn't big enough' and 'That's not smooth enough.'
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People don't hear me talk. They don't expect me to.
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Modeling is a job. Even my mum doesn't believe that I do work hard.
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I was doing shows and flying economy, and nobody ever fed me. Or I'd be staying in hotels so cheap that by the time I'd get in, there wasn't any room service. I didn't eat for a long time. Not on purpose. You'd be on shoots with bad food or get on a plane, and the food would be so disgusting you couldn't eat it.
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If the plane lost all my luggage, and I was somewhere sunny like Ibiza, I would just get a bikini, shorts, T-shirt, and sandals. If it was somewhere colder like New York, I'd go for jeans, jacket, and a pair of Louboutins.
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I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.
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I was really nervous, intimidated by the whole thing-all the people and all the buzzing, and all the sitting around waiting. I felt really small in this huge place.
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It was kind of boring for me to have to eat. I would know that I had to, and I would.
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I can do a good roast with my eyes closed. I'm amazing with gravy. That's my speciality; even other people ask me to do gravy at their house. I'm very proud of my gravy.
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I'd go on the train to castings, changing from my school uniform on the train. I carried on like that for a few years, getting jobs in bits and pieces.
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I own a Hangman jumper, which looks like a scarf, but that's what it's called. It cost a fortune, but it was worth it.
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Now I can walk into a room full of people I don't know and do my job. That's quite a massive thing to learn, I think.