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Now I can walk into a room full of people I don't know and do my job. That's quite a massive thing to learn, I think.
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There's always a dinner to go to. There're always loads of people around. I was having fun working with my friends. For a while it all just kind of rolled together in a great way.
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I was definitely living fast. I was working, traveling a lot, playing. I didn't stop. It all became unbalanced.
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I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.
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Lipstick is iconic. It's the one product that marks out an era, and a certain lip colour can define a season. It makes me feel more 'done'. I wear a beige lip in the day, but red when I'm going somewhere - it makes that transition from day to night. I just slick it on; I don't bother with lipliner.
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Yeah, I like clothes, but I hardly ever go shopping. Hardly ever!
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People think your success is just a matter of having a pretty face. But it's easy to be chewed up and spat out. You've got to stay ahead of the game to be able to stay in it.
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At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.
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I like creating images.
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I love the Sixties with Julie Christie and Jane Birkin - those natural English beauties. That's the look that is most me, when I wore the tight-to-the knee dresses. I don't think I bleached my hair until I was 20. I like experimenting for big occasions, though. You've always got to do a bit of a number for the birthday!
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I like a scarf with a shirt; it throws it off a bit.
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I always take a cashmere blanket, and I have pictures of my family in my passport holder.
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I try and be a little bit chic. I wouldn't wear sweatpants. I wouldn't wear a twinset.
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I was never anorexic, so I was never that skinny. I was never bony-bony. But I remember thinking, I don't want to be this skinny.
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I cut up loads. I always want everything shorter, shorter, shorter.
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All of a sudden I was living what is perceived to be the model life. It was just full-on, 24 hours a day. It was work all the time. And there's always a party to go to.
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I was lucky to be with Johnny... he taught me a lot about fame.
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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All of a sudden to get all of this attention, and to be away from home and working all the time was hard. I was on planes all the time. I didn't see my friends. I cried a lot. It was quite terrifying.
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I had a nervous breakdown when I was 17 or 18, when I had to go and work with Marky Mark and Herb Ritts. It didn't feel like me at all. I felt really bad about straddling this buff guy. I didn't like it.
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When you're shooting you go to references in your mind. You think about how you should stand in these particular clothes, or how you should move. You think about the different characters you're playing, really.
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In my next life, I'm going to be a rock star. I was a ballerina in my last life.
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I'm not going to be horrible just for the sake of having attitude or make other people feel small just to make me feel bigger.
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I was 14 when I started modeling. At the end of that first day my mum said, If you want to do this, you're on your own because I'm not traipsing around London ever again like that. It's a nightmare.