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I would say I'm self-taught, but Corinne Day made me less conscious of myself. I was 15, and she'd make me take off my top, and I'd cry. After five years, you get used to it, and you're not self-conscious anymore.
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There's always a dinner to go to. There're always loads of people around. I was having fun working with my friends. For a while it all just kind of rolled together in a great way.
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I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.
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People think your success is just a matter of having a pretty face. But it's easy to be chewed up and spat out. You've got to stay ahead of the game to be able to stay in it.
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Yeah, I like clothes, but I hardly ever go shopping. Hardly ever!
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Lipstick is iconic. It's the one product that marks out an era, and a certain lip colour can define a season. It makes me feel more 'done'. I wear a beige lip in the day, but red when I'm going somewhere - it makes that transition from day to night. I just slick it on; I don't bother with lipliner.
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I love the Sixties with Julie Christie and Jane Birkin - those natural English beauties. That's the look that is most me, when I wore the tight-to-the knee dresses. I don't think I bleached my hair until I was 20. I like experimenting for big occasions, though. You've always got to do a bit of a number for the birthday!
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I can do a good roast with my eyes closed. I'm amazing with gravy. That's my speciality; even other people ask me to do gravy at their house. I'm very proud of my gravy.
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I always take a cashmere blanket, and I have pictures of my family in my passport holder.
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At a shoot, I'm really aware of everything. When they do makeup, sometimes I can't see what they're doing, but I can feel it. I know what I look like, even when I can't see what they've done. I know how to compose myself.
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I try and be a little bit chic. I wouldn't wear sweatpants. I wouldn't wear a twinset.
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I like creating images.
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I cut up loads. I always want everything shorter, shorter, shorter.
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I like a scarf with a shirt; it throws it off a bit.
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I was never anorexic, so I was never that skinny. I was never bony-bony. But I remember thinking, I don't want to be this skinny.
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All of a sudden I was living what is perceived to be the model life. It was just full-on, 24 hours a day. It was work all the time. And there's always a party to go to.
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I had a nervous breakdown when I was 17 or 18, when I had to go and work with Marky Mark and Herb Ritts. It didn't feel like me at all. I felt really bad about straddling this buff guy. I didn't like it.
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In my next life, I'm going to be a rock star. I was a ballerina in my last life.
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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All of a sudden to get all of this attention, and to be away from home and working all the time was hard. I was on planes all the time. I didn't see my friends. I cried a lot. It was quite terrifying.
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I was lucky to be with Johnny... he taught me a lot about fame.
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When you're shooting you go to references in your mind. You think about how you should stand in these particular clothes, or how you should move. You think about the different characters you're playing, really.
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When you're in a relationship with a photographer, and they start abusing that relationship and being like, 'I want you to do this, and I want you to do that,' it makes you go, 'No.' I didn't want to work all the time.
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I always put on Chanel No 5 after I've had a bath or before I go to bed. If I'm going out, I'll layer other fragrances on top.