Ian MacKaye Quotes
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For most people who have or who do identify as or with [song] Straight Edge, I feel like for most people, they're just trying to do the right thing.
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I've always been a bit of a documentarian.
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Basically we just created our own label, but again we just did it to document our own music and create our own thing, so the major labels were just always out of our picture, we're not interested.
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Record labels have enjoyed a 100-year monopoly of selling plastic and now they're up against a different format.
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I had a bartender friend once tell me about a $14.00 shot of vodka, this was years ago it's probably more now. I thought that was crazy. From what I understand, vodka has no taste. I think people like the taste of their money.
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Minor Threat was an important band, believe me that it was important it in my life, but it belongs to an era that no longer exists. I'm not nostalgic. I think music today is much more important, because something can be done about it.
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I don't dismiss the music that I was involved with, I don't think it was a joke, I don't think it was funny or a phase, I don't think it was just something I was doing back then, to me it was who I am. It connects all the way through. I don't distance myself from any of it.
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I jump from one thing to the next but try and strike a balance. But it's not nostalgic in the sense of 'those were the good old days and now we're not there'. I don't think like that. Not my way.
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Music is a language and different people who come along are each using that language to do something different, but all coming at it in a similar vein inasmuch as it's always community based and for the most part nonprofit. Most bands don't ever come within a mile of profit - clearly these people are not playing music to make money.
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At every election, my vote goes to the candidate less likely to declare war. You're dropping hugely expensive pieces of exploding metal on a population. America deserves the president it gets, whether the country votes for them or allows their vote to be stolen, and the least we can do is to elect someone who won't do that to other people.
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I consider the guitar a tool for the most part. I do pick up the acoustic now and then, I certainly don't have any routine. Usually the only time I practice is when the band gets together. Hendrix has always been one of my favorite players, but I was a sucker for Nugent in the late 1970's.
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When children start to speak they find their own voice by imitating the sounds around them. It would follow that bands do the same. Bands will find their own voice at some point.
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I have thousands of tapes, and photos and fliers, letters, posters, artwork - basically everything that ever happened, I kept. I'm not a hoarder, though. I'm sort of a librarian.
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I was into Ted Nugent, I was a Nugent guy. I was a skateboarder listening to Ted Nugent.
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I've had people call me from bands that are very popular, and they're like, 'What do we do? We want to do what you do.' It's almost impossible to do what I do, because you would have to start in 1980. You can't just do it.
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I feel completely fortunate to have this outlet for something I don't really feel like I have a choice in, to make music. I've got to make it.
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I always appreciate when people save, and more importantly, share. As we speak, there are people in this world - mostly men - who have giant collections of recordings that no one will ever hear. And the value of that collection is almost defined by the fact that nobody else can hear it.
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I never, ever had it in my mind that I wanted to be in the record industry, because I still contend that the record industry is an insidious affair. It's this terrible collision between art and commerce, and it will always be that way.
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My focus is always on the day. What I've done behind me, I try to have respect for it, and keep an eye on it, and make sure it isn't abused, and obviously be thoughtful about it, because it's all real to me. I'm basically in every band I ever was in, and the songs, I still mean them all.
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I just have work to do; I just do it.
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I'm basically in every band I ever was in, and the songs, I still mean them all. I don't take anything back, so I do look after them to some degree. But my main focus is on what I'm doing now.
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I think about Dischord. There's been a pretty consistent notion that Dischord have been some sort of "overlords" of the scene. Some people have felt 'they are too cool for us,' or 'they won't put this out,' etc. All we're doing is our own work, our own thing. That's all we've ever done. Our work.
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I do feel like I have always, in my life, been inclined to be on the outside, walk a different path or something. Because of that, and increasingly over the years, my sense of distance from mainstream society or from the way culture works, I have a different kind of perception of it.
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An unlocked door means that, occasionally, you might get a devil come in, but a locked door means you have thousands of angels just walk by.