Terence McKenna (Terence Kemp McKenna) Quotes
Quotes to Explore
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We need prisons because there are some hardcore criminals, but I never met a guy who has been in jail that came out with a smile on his face thinking, 'Right, that's it - now I am going to be good!'
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I think that when you see the trailer [on movie "300"] - my feeling is anyway and maybe I'm not objective because I live it - but I think when you see it you immediately go, 'Okay, this is another sort of way of doing this.'
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If Luna Marie is at the park, my child is not happy unless she's on the highest bar of the jungle gym or the tallest branch of a tree or jumping over the biggest, deepest hole.
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I really got into Osho's books. I have always loved his books. They were top notch.
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I still believe in the possibility of the United States, with all its will and all its strength, and I don't just mean military, persevering against any challenge. I still believe in that.
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Pedagogues: More than any other class of blind leaders of the blind they are responsible for the degrading standardization which now afflicts the American people.
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Biologically speaking the Afro-Asiatic block is in the ascendancy - always remember that both Negro and White are minority groups - the largest race is the Mongoloid group.
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I love thee, and it is my love that speaks.
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Music is an immediate art; it's always happening right now.
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Governments lie; bankers lie; even auditors sometimes lie: gold tells the truth.
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Wardruna is a combination of old and new. I use historical instruments and new and electronic instruments and tools. I use drones and samples to build these huge sounds. Sometimes just a sound can trigger words or melodies. I don't have a romantic notion about the past; with Wardruna I wanted to create something new using something old.
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You can say that Wayne Coyne sounds like Neil Young.
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When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
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Whatever an artist's personal feelings are, as soon as an artist fills a certain area on the canvas or circumscribes it, he becomes historical. He acts from or upon other artists.
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History is rooted in the future
