Terence McKenna (Terence Kemp McKenna) Quotes
We have to recognize that the world is not something sculptured and finished, which we as perceivers walk through like patrons in a museum; the world is something we make through the act of perception.
Quotes to Explore
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At no point am I ever threatened by people who question who I am, or why I like the things I do, or my legitimacy. Because I know who I am very strongly, and I think that's what geek culture can reinforce.
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I like being unconventional.
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An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it.
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Censorship is never over for those who have experienced it. It is a brand on the imagination that affects the individual who has suffered it, forever.
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This particular nurse said, Cancer cells are those which have forgotten how to die. I was so struck by this statement.
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I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.
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I want kids. I want a soccer team, and I want a husband.
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We live in a world where people think that finding a passion is so rare that if you find one you're the luckiest person on the planet, and the possibility of finding two is just bizarre. It isn't. We have multiple passions.
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As a gay person, my life has been marginalized.
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I think jazz is actually quite unforgiving in its disdain for nostalgia. It demands creativity and change at its highest level.
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Race and gender definitely came up, occasionally, in my life at work. But the bigger challenge that I had was age. I took roles earlier in my career than people expected, and so a lot of what I got was, 'Do you actually know enough to do this?'
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No one is so thoroughly superstitious as the godless man.
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Protecting eagles from the threat of extinction is a conservation success story that we must prudently safeguard for future generations to come.
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When I create a TV show, it's so that I can write it. I'm not an empire builder; my writing staff is usually a combination of two kinds of people - experts in the world the show is set in, and young writers who will not be unhappy if they're not writing scripts.
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Looks, health and elegance are what counts. Someone can look wonderful in a sweatsuit.
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LL Cool J is a huge presence. He is a music mogul. He brings that experience and that life into the room.
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I had to learn not to let anyone push me around, to be brave and to say things I knew might make people mad.
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I don't think you can force a moral opinion or you can force something through a Bollywood film.
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I remember when I did my Enron film, my executive producers at the time felt very strongly that I should mock the Enron executives more viciously because everybody wanted that moment.
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I'm a very positive person, but this whole concept of having to always be nice, always smiling, always happy, that's not real. It was like I was wearing a mask. I was becoming this perfectly chiselled sculpture, and that was bad. That took a long time to understand.
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So I think what you see in this show is it's really not a just world at all, but you get what you give. So in terms of world view, I would say that's where the differences lie.
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The producers had seen "In a World..." and that's where they found me out and consequently sought me out for this role [in Man up].
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We have to recognize that the world is not something sculptured and finished, which we as perceivers walk through like patrons in a museum; the world is something we make through the act of perception.
