Terence McKenna Quotes
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This is a very central part of the psychedelic attitude toward the world, to entertain all possibilities but to never commit to belief. Belief always being seen as a kind of trap, because if you belief something you are forever precluded from believing its opposite.
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Modernity is a desert, and we are jungle monkeys. And so new evolutionary selective pressures are coming to bear upon the human situation, new ideas are coming to the fore. Psilocybin is a selective filter for this. The wish to go to space is a selective filter for this. Just the wish to know your own mind is a selective filter for this.
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Since the very beginning of culture, what we seem to be are animals which take in raw material and excrete it imprinted with ideas.
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Our destiny is to become what we think, to have our thoughts become our bodies and our bodies become our thoughts.
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And yet my, not only my faith, but my experience has led me to believe that the world is not a construction of space and time and matter and energy. That that mapping is insufficient. That the world is instead some kind of a linguistic construct. It is more in the nature of a sentence, or a novel, or a work of art than it is in the nature of these machine models of interlocking law that we inherit out of a thousand years of rational reductionism.
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No one yet understands the mysterious intelligence within plants or the implications of the idea that nature communicates in a basic chemical language that is unconscious but profound. We do not yet understand how hallucinogens transform the message in the unconscious into revelations beheld by the conscious mind.
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The message coming back at all of us is: live without closure.
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It is not easy to measure the ocean, but we can be measured by it, confront it, and be in it.
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The Internet is the global brain, the cyberspacially connected, telepathic, collective domain that we've all been hungering for.
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In 1948, television was introduced, and millions and millions of people lead larval, low-awareness, warehoused lives mainlining an electronic drug straight into their brains.
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The shaman is a very peculiar figure. He is critical to the functioning of the psychological and social life of his community, but in a way he is always peripheral to it. He lives at the edge of the village. He is only called upon in matters of great social crisis. He is feared and respected. And this might be a description of these hallucinogenic substances.
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People without plants are in a state of perpetual neurosis, a state of existential wanting.
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Life, carefully examined, is actually a form of allegorical literature with a very tight constructural grid laid over it.
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There is a belief that there is a hyperobject called Overmind, or God, that casts a shadow into time. History is our group experience if this shadow. As one draws closer and closer to the source of the shadow, the paradoxes intensify, the rate of change intensifies. What is happening is that the hyperobject is beginning to ingress into three-dimensional space.
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The current operating system culture is flawed. It actually has bugs in it that generate contradictions. We're cutting the earth from beneath our own feet. We're poisoning the atmosphere that we breathe. This is not intelligent behaviour. This is a culture with a bug in its operating system that's making it produce erratic, dysfunctional, malfunctional behaviour. Time to call a tech! And who are the techs? The shamans are the techs.
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Human populations that do not have contact with the psychedelic tremendum are neurotic because they are male ego dominated.
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The numinous depth of the mystery that seems to have called us out of the animal mind is completely impenetrable to modern analysis.
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The artist’s task is to save the soul of mankind; and anything less is a dithering while Rome burns. Because of the artists, who are self-selected, for being able to journey into the Other, if the artists cannot find the way, then the way cannot be found.
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We can understand first of all that what is happening in the world of becoming, the world we all experience as beings, is that novelty is entering into being, and it is changing the modalities of the real world toward greater and greater levels of integration.
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I finally realized that this 'place' that I kept bursting into on a psychedelic experience was somebody's idea of a playpen.
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Our assumptions are the edges of our worlds.
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Claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination.
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What we need to change is our minds, that's the part that's doing us dirt and dragging us under. How can we change our minds.
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I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.