Mick Taylor Quotes
I never advise anyone to sacrifice something else because of music, but then I don't see why they would have to anyway.
Quotes to Explore
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I have never believed in the impossible.
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Love can never be fully explained.
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I grew up playing on unprepared surfaces where your wicket depended on quickly adapting to the bounce. As a kid, I could never differentiate off-spin from leg-spin. All I looked to do was to try to hit the ball before it pitched.
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I've never had to explain 'Prometheus' to people, ever. Most people get it.
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I want to be that person who could sacrifice everything for others.
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I feel that Christian music is a subculture directed towards the Christians. It's not really being exposed to non-Christians and it's not really created for non-Christians, so non-Christians almost never hear any of this music.
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Let us sacrifice our today so that our children can have a better tomorrow.
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We never see ourselves as others see us.
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At times, our circumstances call for us to make critical choices to keep our covenants or to compromise them. Covenants should never be compromised, even when at the moment some circumstances might seem to justify it.
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No, I never ever considered myself attractive.
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I was so worried when I left 'GH:' so scared I'd never work again.
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You see bands putting ads in the paper: 'drummer wanted'. I could never be in a set-up like that.
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I have never planned to have babies by a certain age.
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I could never take orders from anyone.
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I've never liked rehearsing too much.
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Freedom is never given; it is won.
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Money is a bubble that never pops. It's a consensus hallucination.
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I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
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I've led a charmed life. I've known people who have been depressed, and I've never had that.
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I started doing stand-up when I was 16, my junior year in high school. My two friends and I would sit at home watching stand-up. They kept saying I should try it, and so I did.
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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None but the most blindly credulous will imagine the characters and events in this story to be anything but fictitious. It is true that the ancient and noble city of Oxford is, of all the towns of England, the likeliest progenitor of unlikely events and persons. But there are limits.
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I never advise anyone to sacrifice something else because of music, but then I don't see why they would have to anyway.
