Norman Reilly Raine Quotes
Quotes to Explore
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I'm a showgirl. After 20 years in show business, I've learned to roll with the punches.
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I think about food literally all day every day. It's a thing.
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I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
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I don't try to hurt people in any way, and I try to help out wherever I can.
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I always find Victoria's Secret models a bit weird.
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When I lived in Baltimore, I would come down fairly often to go to the Hirshhorn, and one of my good friends from high school went to Georgetown. I actually ended up going to Annapolis a lot. I had a car, and it was such a serene place to drive.
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People spend a lifetime thinking about how they would really like to live. I asked my friends and no one seems to know very clearly. To me it's very clear now. I wish my life could have been like the years when I was writing 'Love in the Time of Cholera.'
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I was in a group called Wild Orchid and it just wasn't working. I wasn't being myself. What I should have done was say. 'Girls, it's really time for me to go on my own. I need to fulfill this dream of mine to have a solo album.' And I didn't know how to do that. I wanted to please them.
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I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni, got a couple of jobs, so I sort of funded it myself.
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Like attracts like. Whatever the conscious mind thinks and believes. the subconscious identically creates.
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The whole idea of the prayers of the saints is that God's holiness, God's purpose, God's ways may be brought about irrespective of who comes or goes.
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Among the older records, we find chapter after chapter of which we can read the characters, and make out their meaning: and as we approach the period of man's creation, our book becomes more clear, and nature seems to speak to us in language so like our own, that we easily comprehend it. But just as we begin to enter on the history of physical changes going on before our eyes, and in which we ourselves bear a part, our chronicle seems to fail us-a leaf has been torn out from nature's record, and the succession of events is almost hidden from our eyes.
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Hollywood is a place where if you abide by the rules and laws, you can get depressed. That's why faith and spirituality is a higher law.
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I still occasionally need to struggle but I now fear it less. The weapons I fight it with are also my consolations: books, music, food, wine, nature.
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Sometimes the idea of being truly iconic has something to do with not necessarily being beautiful and thus trying harder.
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With the truth, all given facts harmonize; but with what is false, the truth soon hits a wrong note.
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I just do my act. If people in England don't get my joke I make fun of myself for telling it.
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The political cartoon, in a way, is one of the highest forms of expression about our times. I don't believe in dramatic statements when it comes to political critique. It doesn't communicate in a way that's subversive enough.
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There is a magic power in your own hands. Take your vital decisions-they may be grave and momentous and far-reaching in their consequences. Think a hundred times before you take any decision, but once a decision is taken, stand by it as one man.
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I prefer to remake flops. Dirty Rotten Scoundrels was a remake of a flop, and The Quiet American is a remake of a flop.
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I felt the exultancy of a man just released from slavery and ready to set the universe on fire.
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There are times when it is more courageous to be cowardly.