Miguel Sapochnik Quotes
One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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I'm a believer in trusting the director.
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I don't know why directors sign on to these projects and completely rewrite everything.
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I want to be that person who could sacrifice everything for others.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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I'm not the kind of director who aims to send a message out.
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Silence is my dignity.
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To have courage for whatever comes in life - everything lies in that.
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Everything I make starts very personally.
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I know everything about Michael Jordan.
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I time everything. I'm a scientist at heart.
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The first law of ecology is that everything is related to everything else.
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Everything's cyclical. Having been raised by actors, I watched their careers, and the challenge is to take time off.
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We must improvise, and we must experiment, and we must do things that might go wrong, and everything we bring - the people and the equipment - must serve us in that goal.
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Alexander Gonzalez Inarritu is a great director. He's the one I first worked with. He's amazing.
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Sometimes being a friend means mastering the art of timing. There is a time for silence. A time to let go and allow people to hurl themselves into their own destiny. And a time to prepare to pick up the pieces when it's all over.
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Everything must change, everything must move forward.
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I excavate history. I look at lives buried under too much silence. Periods of time, like slavery, have to be revisited, reimagined, so we can move through them.
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What could be more lonely than to be enveloped in silence, to be the last of your people to speak your native tongue, to have no way to pass on the wisdom of the elders, to anticipate the promise of the children. This tragic fate is indeed the plight of someone somewhere roughly every two weeks.
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Most unfortunately, in the lives of puppets there is always a 'but' that spoils everything.
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Thinking is different from perceiving and is held to be in part imagination, in part judgment.
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One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
