Miguel Sapochnik Quotes
One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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And one by one the nights between our separated cities are joined to the night that unites us.
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I'm a believer in trusting the director.
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I don't know why directors sign on to these projects and completely rewrite everything.
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I want to be that person who could sacrifice everything for others.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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I'm not the kind of director who aims to send a message out.
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Silence is my dignity.
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To have courage for whatever comes in life - everything lies in that.
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Everything I make starts very personally.
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I know everything about Michael Jordan.
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I time everything. I'm a scientist at heart.
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I do everything that everybody else does.
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The first law of ecology is that everything is related to everything else.
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Everything's cyclical. Having been raised by actors, I watched their careers, and the challenge is to take time off.
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We must improvise, and we must experiment, and we must do things that might go wrong, and everything we bring - the people and the equipment - must serve us in that goal.
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Alexander Gonzalez Inarritu is a great director. He's the one I first worked with. He's amazing.
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Sometimes being a friend means mastering the art of timing. There is a time for silence. A time to let go and allow people to hurl themselves into their own destiny. And a time to prepare to pick up the pieces when it's all over.
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Everything must change, everything must move forward.
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The light died in the low clouds. Falling snow drank in the dusk. Shrouded in silence, the branches wrapped me in their peace. When the boundaries were erased, once again the wonder: that *I* exist.
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My first novel - the novel I wrote before 'Midnight's Children' - feels, to me, now, very - I mean, I get embarrassed when I see people reading it. You know, there are some people who, bizarrely, like it. Which I'm, you know, I'm happy for.
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The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back.
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I love putting on an outfit or a costume and just looking at myself in the mirror. Baggy pants or some real funky shoes and a hat and just feeling the character of it. That's fun to me.
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One of my biggest fears as a director is that everything is taking too long on camera. The actor saying their lines, the silence between lines, the length of time it takes to walk from A to B. So you try it at different speeds and then see what sticks in the edit room.
