Mike Bidlo Quotes
I like the relationship between the master and the student. Each piece has new problems, and each is different. They're all an indentured servitude. There's that subjugation that you have to put yourself under. It's a give and take. There is work involved, and during that time, the greatest things are revealed.
Quotes to Explore
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There were a couple of things I needed to do while I was in New York. One was to have a pizza pie, one was to get a tattoo... and the other was to get a Yankees hat.
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We in the Middle East like to talk politics, we like to argue. Just look at the three prophets - Moses, Jesus and Mohammad. They are all from this small region which creates problems all the time.
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Everything's so accelerated now.
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I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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It's always good to be known. You want to build your brand up, want to build your name.
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Religion may be defined thus: a belief in, and homage rendered to, existences unseen and causes unknown.
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I'm at a loss for words. But even my loss is amplified.
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Activists and geeks, standing together, are demonstrating powers beyond the reach of government control.
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European citizens expect that there will be also a fair system inside the European Union and in the euro, and that's why we have to have quite hard discipline.
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As an actor, you have to give up all control to the director. He's the boss, and has all the power. I'm a control freak, so that's really hard for me.
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I don't like being weak in front of my mum or anyone for that matter. I don't like crying.
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What the Puritans gave the world was not thought, but action.
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I still take way more jobs than I turn down, and the reason that I turn down a job is that I just can't find anything in it that charges me or excites me or challenges me about moving to the next phase of where I'm headed.
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I always had to prove myself through my actions. Be a cheerleader. Be class president. Be the editor of the newspaper.
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I've got to be out doing a million things. That's how I find stories. That's how I get the relationships and get the projects that I get with the writers, the directors.
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When I'm on the court, I feel all problems go away.
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I love Alexander McQueen. I like the construction of his suits. I think it's fantastic.
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Between 1963 and 1975, I worked very little. The Beatles had come to New York and changed music - all the solo singers were out of work.
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I just had this New York thing. When I got there, I felt so at home. I said, 'This is where the crazy people go.' It's OK to be yourself in New York. In L.A., it's difficult.
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I admire my fellow judge Paul Hollywood enormously, though we often argue. He believes presentation and uniformity are paramount; I'm more interested in taste. I don't mind if one bun is smaller than the others, or if there's a little pastry cracking, though I don't want a soggy bottom.
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I move around and play different golf courses. I just enjoy it.
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The Clayr Saw a sword and so I was. Remember the Wallmakers. Remember Me.
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I like the relationship between the master and the student. Each piece has new problems, and each is different. They're all an indentured servitude. There's that subjugation that you have to put yourself under. It's a give and take. There is work involved, and during that time, the greatest things are revealed.
