Ray Bradbury (Ray Douglas Bradbury) Quotes
I don't decide. My secret self decides. I just go with my subconscious. If it wants to do a poem, I do a poem, and if it wants to do a play, I do a play. So I'm not in charge, I'm not in control.
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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The best players will play. That's the way it will always be.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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In 'Rangoon', I play an action star of the 1940s.
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The debt we owe to the play of imagination is incalculable.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I'm still enjoying discovering more designers and getting to play dress-up in a bigger way than I ever have before.
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I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.
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My first play was 'The Room', written when I was twenty-seven.
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My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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Basically, I like to pick up my flute, which is a pretty instrument, and play pretty on it.
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And to stick our head in the sand and pretend that we are somehow safer if we do not know or to pretend we are somehow safer if we limit our options seems to me not only foolish but actually dangerous.
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The third person narrator, instead of being omniscient, is like a constantly running surveillance tape.
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I was anxious before I decided to go back to acting about what I wanted to do with my life. Once I realized I was sort of interested in acting, I've been pretty lucky and had all these great parts. And I feel pretty much like, 'What will happen will happen.'
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The best mistake I ever made was believing that I was stupid. It was a childhood thing, but it played out big-time as an adult. It scorned me the rest of my life - in a good way.
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I don't decide. My secret self decides. I just go with my subconscious. If it wants to do a poem, I do a poem, and if it wants to do a play, I do a play. So I'm not in charge, I'm not in control.
