Ray Bradbury (Ray Douglas Bradbury) Quotes
I don't decide. My secret self decides. I just go with my subconscious. If it wants to do a poem, I do a poem, and if it wants to do a play, I do a play. So I'm not in charge, I'm not in control.
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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The best players will play. That's the way it will always be.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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In 'Rangoon', I play an action star of the 1940s.
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The debt we owe to the play of imagination is incalculable.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski -
You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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I'm still enjoying discovering more designers and getting to play dress-up in a bigger way than I ever have before.
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I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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When we are in love, our love is too big a thing for us to be able altogether to contain it within ourselves. It radiates towards the loved one, finds there a surface which arrests it, forcing it to return to its starting-point, and it is this repercussion of our own feeling which we call the other's feelings and which charms us more then than on its outward journey because we do not recognise it as having originated in ourselves.
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I've always hoped 'Chopped' would telegraph our enormous affection and love and admiration for chefs and food, but at the same time, we are inflicting extraordinary cruelty on them.
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Each thread of life that you leave, will spin around your deeds and dictate your needs.
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I don't decide. My secret self decides. I just go with my subconscious. If it wants to do a poem, I do a poem, and if it wants to do a play, I do a play. So I'm not in charge, I'm not in control.
