Ray Bradbury (Ray Douglas Bradbury) Quotes
Quotes to Explore
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The difference between a violin and a viola is that a viola burns longer.
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I think people can tell when you're pandering to them, and they feel insulted. I think that one thing that is really nice about the work that I do is that I can just sort of make mistakes or try out different ideas or be inconsistent and be vulnerable.
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English is really free for me; there's no limits to the music and the imagination. And French, it's just I live in Paris, and it's really a poetic language where you can really play with words.
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The trip to Iraq confirmed that I made the right decision when I voted against lending Iraq the $18 billion the United States plans to use to help rebuild the country.
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Elegance is not a dispensable luxury but a factor that decides between success and failure.
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VR is going to become something mainstream, but it's not going to happen right away. You just don't have the horsepower to make it happen on a device, much less a cheap enough and comfortable enough device that a normal consumer is going to want to have.
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Transferring our sovereignty and decisionmaking power to the WTO, to the United Nations, or any other international body is not in the long-term interests of our people.
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Beware of the company you keep. See that you associate with the right type of people.
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Trends come and go, and style evolves. It's important to have pieces of jewelry that are timeless and look chic despite ever-changing fashions.
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A writer has a difficult fate, but a Jewish writer has an especially difficult fate. His soul is torn; he lives on two streets with three languages. It is a misfortune to live on this sort of 'border,' and that is what I have experienced.
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When we were on the road, I found out that my greatest hits album went Gold. They freaked out. Things really came to a head when we started arguing about a Van Halen greatest hits package.
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There's a huge part of me that's thinking about perfection. I have to fight that urge, to try to live in the moment, reach for something that I might be hearing, and not second-guess myself.
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As a director, you're looking for ways to tell the story with the whole image and not primarily dialogue.
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I like writers who can show me worlds I know nothing about, but my favorites are those who create characters or worlds which feel realistic and familiar to me, or who can make me feel inspired.
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I have matured a lot.
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Consider the bloody history of Europe: there was a great aspiration for high culture, yet this very same culture was shaped by brutality and barbarism.
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I'm the only person that has ever run a principle-based legislative body.
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Hip-hop for me has always been hardcore and edgy.
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All over this land women have no political existence. Laws pass over our heads that we can not unmake. Our property is taken from us without our consent. The babes we bear in anguish and carry in our arms are not ours.
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Perhaps never before have the peoples of the world been so close to losing the very core of their humanity; for of what use are cosmic energies, if they are handled by disoriented and demoralized men?
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Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men.
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The prejudice is against men and women - assuming men stay at work. That's the reason why we don't have enough women in the halls of power - the prejudice is pushing women to go home.
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Confidence is contagious. So is lack of confidence.
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Man has always been half-monster, half-dreamer.
