Terry Eagleton (Terence Francis "Terry" Eagleton) Quotes
If history moves forward, knowledge of it travels backwards, so that in writing of our own recent past we are continually meeting ourselves coming the other way.
Quotes to Explore
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Unlike the Marxists, I have no mind block against the U.S.
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I love a real-life, movie moment in living color.
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Education is so important.
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Yeah, I like to have fun - I think that's a good way to live. I think you're better at your job if you like it.
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You know, Motorcycle Diaries has no incredible stories, no sudden plot twists, it doesn't play that way. It's about recognizing that instance of change and embracing it.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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Music is the only passion I shamelessly indulge in. However, for recreation I enjoy watching movies. 'Wizard of Oz' was the first film I ever saw, followed by the 'Bond' movies. I also watch a lot of World cinema through DVDs mostly brought by one of my best friends who's now based in Toronto.
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When I had dark hair I definitely felt that I was more anonymous.
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I would have quit before I went rock-n-roll. I know one way, and that's natural, and when I can't make it, I'll come home and stay. I believe in my music.
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Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
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I have two rules for a great book: make me think and make me smile.
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Wealth is just consistency... I don't want to be rich. I want to be wealthy.
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It is hard for anyone who discovers George Washington not to write about him, perhaps because he is so hard to discover and such a surprise when you do.
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Reich and John Cage were pretty big influences on this record (Folie A Deux) in weird ways in that you wouldn't necessarily hear any of it - nothing ends up sounding like either of them, but I think just methodology and things like that ended up on the record in various ways.
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It is only by the amplification of titles that you can often touch and satisfy the imagination of nations; and that is an element which Governments must not despise.
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We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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I don't think people understand what it takes to make a movie unless they've experienced it themselves or been around it. It's a miracle every time you make a movie, and a bigger miracle if it turns out well.
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My character Preet in 'Fanaah' had a very distinctive appearance: loud make-up and dramatic clothes.
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[Leonardo DiCaprio] invited me into his dressing room, and then we went into his hotel room where we stayed. We shared caramel popcorn. I think that was the coolest thing, sharing popcorn with this movie star. And then we wrestled! I always share that story with people.
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I feel so disassociated from my writing - whether it's in book form or magazine - that I sometimes have a hard time believing that it's mine.
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I'm like the master of ceremonies being funny, and then sometimes people you're with, girlfriends and stuff, are like, 'God I wish I had the person on stage to be with all the time.'
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I'm learning the power of going away for the weekend and keeping myself company.
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Masks are wonderfully paradoxical in this way: while they may hide the physical reality, they can show us how a person wants to be seen.
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If history moves forward, knowledge of it travels backwards, so that in writing of our own recent past we are continually meeting ourselves coming the other way.
