Mike Figgis Quotes
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
Quotes to Explore
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Film has to describe and show.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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If the money's right, I'll do a film.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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I had two experiences with very close friends of mine who experienced aphasia, the loss of language. It shocked me.
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'Saawariya' was my debut film. It will always be the most special film.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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If I cry, it's about the personal loss of a friend or something like that. But when it comes to politics - no, I don't cry.
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When someone fears losing your affection, he or she will strive to keep it. Perhaps you have strived to keep someone's affection, too. Fear of loss is not love.
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It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.
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Beautiful film music can be made relevant to any period.
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The benefit of film is that you're shooting something for an intense period of time - and then it's over, and you move on to something else. In TV, you're doing the same thing over and over.
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Tell them, that, to ease them of their griefs, Their fear of hostile strokes, their aches, losses, Their pangs of love, with other incident throes That nature's fragile vessel doth sustain In life's uncertain voyage, I will some kindness do them.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
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The power of collecting money from the people is not to be rejected because it has sometimes been oppressive. Public credit is as necessary for the prosperity of a nation as private credit is for the support and wealth of a family.
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Sam is a truly competitive driver. Yes, I want to beat him and he wants to beat me. But at the end of the day, we want both cars up there and we want to make the boss happy.
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I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
