Mike Figgis Quotes
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
Quotes to Explore
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Film has to describe and show.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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All my brother Eliot and I did as kids was film sketches.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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If the money's right, I'll do a film.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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I had two experiences with very close friends of mine who experienced aphasia, the loss of language. It shocked me.
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'Saawariya' was my debut film. It will always be the most special film.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I didn't want to be an actress. I wasn't trying to be in film or an art gallery for me.
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If I cry, it's about the personal loss of a friend or something like that. But when it comes to politics - no, I don't cry.
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When someone fears losing your affection, he or she will strive to keep it. Perhaps you have strived to keep someone's affection, too. Fear of loss is not love.
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It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.
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Beautiful film music can be made relevant to any period.
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I am grateful for what I call well-spent moments: Making a tuna fish sandwich with the works. Taking at least a half hour to eat it outside. Ironing my vintage tea towels while watching old black-and-white film noir movies and sipping one martini with extra olives - a quirky combination, but it works.
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I guess by now I should know enough about loss to realize that you never really stop missing someone-you just learn to live around the huge gaping hole of their absence.
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I feel that film, as opposed to theatre, is about capturing that one, real moment.
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Sammantha: Tucker? Tucker: Does some other man call at this hour just to hear your voice? If so, give me his name, and I'll kill him.
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I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
