Mike Gordon Quotes
A lot of the great songwriters in history have been collaborators, with a separate lyricist.
Quotes to Explore
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I wrote poetry before I wrote songs, and T.S. Eliot was my inspiration. I love his honesty and try to bring that to my own songwriting.
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If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
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Songwriters tell the truth.
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Nothing can stop a great song, so just keep songwriting.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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I think my favorite thing is songwriting.
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Me and Eddie really hit it off as songwriters and also as just people. It lasted three years. I don't regret one moment. They were great to me.
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I've always felt, even as a songwriter, that the rhythm of speech is in itself a language for me.
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I'm a songwriter first...In my career I have never felt that my being a woman was an obstacle or an advantage. I guess I've been oblivious...Sensitive, humbug. Everybody thinks I'm sensitive...There is a downside to having one of the biggest-selling albums ever.
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I'm a songwriter first.
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After two years in the songwriting world, I wrote 'All About That Bass.' L.A. Reid heard it and signed me as an artist.
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If you're going to write a song, try to get together with a collaborator because it's better to write with collaborators.
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I've always accepted some kind of deity, especially as a songwriter.
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Lyricists play with words.
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I do more writing by myself than with anybody else. My best thing is sitting...around somewhere with a guitar, and having an idea. You never know where it'd come from. Songwriting is a God-given talent.
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Great songs aren't written, they're rewritten
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Songwriting, I have to take myself away from everybody to do. It's an unsightly act.
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This little four-string songwriting tool started changing the way I brought songs to the group.
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I love analogue tape and I love digital, they both have pluses and minuses and I don't really feel like I have to use one or the other. I love digital because it's really great for songwriting because you can just cut and move choruses around and pull chunks of songs. It's really easy to hear quickly "Oh, maybe the arrangement should be like this."
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Every time I write a song, it's different. I'm all about the rhythm of the words and the melody. Musically, you gotta have a throbbing pulse going. But as far as what it's all about, there's a million ways to go. You have to invent a new code for every song. Then you have to break it. It's like Scrabble or a crossword puzzle on steriods. I could talk about the process for days. But it's never dull and there's no one way in.
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It just seems like musicians want to sell a few records and put out a perfume line, and I think it's so sad that there are so many musicians who don't want to change the world.
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I think everybody I've seen has come from some other therapy, and almost invariably, it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person; he doesn't relate to the person.
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When I started out in public life there used to be a saying we'd hear from time to time, that every man who runs for public office will claim that he was born in a log cabin he built with his own hands. Well, my mother knew better. And she made sure I did too.
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A lot of the great songwriters in history have been collaborators, with a separate lyricist.
