Willem Dafoe Quotes
Truth is, generally I like film festivals; somewhere at some level there's an exchange of ideas.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Among the lesser effects of quantum theory are gaping holes in old ideas about causality.
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Stage and film are just two wildly different animals. Why compare the two?
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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When you challenge other people's ideas of who or how you should be, they may try to diminish and disgrace you. It can happen in small ways in hidden places, or in big ways on a world stage. You can spend a lifetime resenting the tests, angry about the slights and the injustices. Or, you can rise above it.
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Film is anti-language.
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I like using animals because they help suspend my reader's disbelief. We have certain ideas about dentists. We don't have many ideas about rhinoceros dentists.
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Creativity is generating ideas that are novel and useful. I define originals as people who go beyond dreaming up the ideas and take initiative to make their visions a reality.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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There's very little you're not exposed to in New York City, in terms of ideas and physical things - sights, sounds, smells, different kinds of people. But one good thing about growing up fast is you get over it fast, too.
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I have new ideas every day, and I always want to take on new challenges.
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There is resistance to change. There's a resistance to ideas.
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I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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The film industry is mostly about unidimensional characters.
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The process for producing public policy in Congress is flawed. The process itself kills policy ideas through the bypassing of the rules and procedural decisions that limit discussion.
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The cartoon is a metaphor really for the fact that it's almost impossible in our celebrity obsessed culture to move around genres and sort of change you ideas, change your face, you know?
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When facing the public, politicians constantly filter their ideas through a political sieve. 'How will this affect the environmentalists, labor, management?' Sometimes the sieve gets so clogged by political taboos that no new ideas pass through.
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When we started Angels Airwaves, we wanted to produce our art on different mediums, but the film was an ambitious one because we actually didn't go into it thinking we could make a big feature film.
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Now, I'm simply working with people I want to work with. I just want to have good working experiences and let the dice fall where they may.
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How beautiful are dreams! In dreams the dead may live, even the long dead and the very silent.
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The scope of America's global hegemony is admittedly great, but its depth is shallow, limited by both domestic and external restraints.
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Truth is, generally I like film festivals; somewhere at some level there's an exchange of ideas.
