Willem Dafoe Quotes
I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.

Quotes to Explore
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So I went to English school, secondary English school, so forget going to Mecca for my religious education.
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As I grew up in that world and saw how much it affected her world and how much it affected our childhood, it made me very aware of politics. Of course, I have my own private feelings and thoughts, but I don't care to share them.
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I'm the Chris Martin of hip-hop.
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God takes care of imbeciles, little children and artists.
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You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.
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I have seen the future, and it is much like the present, only longer.
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IQ in general has improved since tests first began. Psychologists think that this is because modern life becomes ever more complicated.
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If you can believe it, I had no intentions of being a wrestler.
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I don't think there's a defined contemporary American musical, do you?
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We are expected to believe that anyone who objects to the Department of Homeland Security or the USA Patriot Act is a terrorist, and that the only way to preserve our freedom is to hand it over to the government for safekeeping.
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I guess one that wouldn't be obvious is - well, maybe it's super obvious, I can't tell - 'I Love Lucy' is my favorite show, going back to when I was 4. I've watched every episode I don't know how many times. It was something to watch women being funny when I was young.
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Most people don't even get to be on TV, so I got to be on TV a bunch of times... I feel so lucky that I get to go back and forth between television and theater.
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Picasso is what is going to happen and what is happening; he is posterity and archaic time, the distant ancestor and our next-door neighbor. Speed permits him to be two places at once, to belong to all the centuries without letting go of the here and now.
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Rap is the only interesting music left - it's the only genre that's still pushing itself, and experimenting in a way that I find exciting.
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I think it's good to have pressure on yourself. The worst crime is to get kind of really complacent.
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We come from Second City where you're taught if you make your fellow stage partner look good, that makes you look good.
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One person's rights do not have to come at the expense of another's. If we can find common ground on religious freedom and LGBT issues in Utah - one of the nation's most religious and conservative states - we can do it anywhere in the country.
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Authority is something from which we are constantly subtracting, of which there remains always a residue, and which we attempt to make smaller and smaller.
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I always do like seeing other people dance in their cars. It's one of the things that makes me happy.
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Thank God my hair is always the same. And I get dressed very quickly. I am not one of those people who spend three hours getting dressed. I never understood that. What do you do for the two and a half hours after the half hour it takes you to get ready?
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If you're going to be in the business of news and telling people the truth... you've got to be honest. You've got to have the same rules for yourself as you do for everyone else.
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If you compare Everest photographs in 1953 with its current state, things are melting. I imagine if I were a golfer in Indiana, I'd be hard-pressed to believe in climate change because nothing's going on there. But when you're up in the mountains and seeing the glaciers melt away, it's an obvious physical manifestation of a warming planet.
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I aspire to be an instrument of the director. I'm happiest like that. The stronger the director, the more I'm willing to give them. It's not just about admiration for their films, it's how they deal with you, and whether they get you or the way you work. If they don't, you better adjust your way of working to suit them. I want to work with people who are good at what they do, and people who are passionate. As you get older, you suffer fools less easily. That's why there's all those cranky character actors. I'm an exception. I'm a sweetheart.