Sam Elliott Quotes
Quotes to Explore
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Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.
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Having a book censored means something. It means you have deeply offended one or more people who felt they needed to protect unsuspecting readers from your inflammatory words, thoughts, and images.
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Even in music concerts in Mumbai and different parts of the world, seats are reserved for sponsors.
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When you work with somebody for a long period of time, you develop a shorthand with everything.
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The only way to find out why someone decides to engage in armed combat is to look at their individual personality.
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I believe in Wendel Clark. We want Wendel to be a prime-time player.
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I started off dancing and playing sports, and I joined the drama stuff, the theatre stuff in middle school because my friends were involved, and it was kind of the cool thing to do.
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I would love to work with Martin Scorsese.
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For a long time, I said I didn't want to model. I was a dancer.
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It's the rich you can terrorize. The poor have nothing to lose.
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That's the place we're in right now: we think we have the capability to get every piece of information, and we don't. We don't know what's going on behind the closed curtain. If we want to say we live in a free democratic society, we should be able to find out whatever we want to.
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All Americans need a sense of place. That's what makes our physical surroundings worth caring about.
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I am not going to say much about the film 'Maidentrip,' but I won't be representing it, as I am not fully standing behind it.
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I think people get excited about someone discovering something that blew their mind when they were younger. I think it makes people kind of nostalgic and happy. That's one of the really great things about the Internet, that it can bring people together in that way of just being interested in the same stuff.
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I like to see people enjoy using my product. This is the mission of an engineer.
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I remember when TiVO first came out I was all about TiVo. I came home and that thing was frozen, and I thought 'This is awful. This is the end of the world'. Then I unplugged it, and I plugged it back in, and still frozen. It was paralyzing. I called them. They said, 'Just unplug it longer.' Fixed. But it also taught me I'm an addict.
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I like manual things, doing things with my hands, the feeling of touching.
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The Melvins are grunge.
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It's better to waste money than time. You can always get more money.
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Not a single muscle quivered On his radiantly evil face. Oh, I know: his delight Is the tense and passionate knowledge That he needs nothing, That I can refuse him nothing.
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I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
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I was single-minded on what I wanted to do since I was like nine or ten.
