William Allingham Quotes
Quotes to Explore
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There's always the risk that there are unknown unknowns.
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The mountains, the forest, and the sea, render men savage; they develop the fierce, but yet do not destroy the human.
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I want to give my followers a positive message. I want to give those girls a positive message who have been forcefully married, who continue to sacrifice. I want to be an example for those people. That's my aim.
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Female adolescence is - universally - an emotionally and psychologically intense period.
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Sometimes justice is at its most merciful when it's blind.
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When I was little, I got into a little accident, and it gave me congenital glaucoma in both of my eyes.
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I wonder now how tough you have to be to get big things done.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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It's good to be busy on a film set because there is a lot of sitting around, so if you've got two roles to play at one time, then that's great to do.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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I'm concerned about my daughter because she will not believe in Santa Claus. No matter what I say to her, she just doesn't buy it, and she's 2. I refuse to give it up. I say, 'There is a Santa Claus,' and she says, 'Okay, Mommy. In pretend world, right?' She really doesn't believe.
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The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural... The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.
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I had a mind inquiring enough to question world events, as well as the passion fostered by my background to care, but I lacked the emotional maturity to process these things. That made me ripe for Islamist recruitment. Into this ferment came my recruiter, himself straight out of a London medical college.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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There were mornings in the make-up trailer where I'd have fits of laughter because of the extraordinary daily events of the shoot. Sometimes, it was all too much to believe. But the wildest things happened.
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Nothing can have value without being an object of utility.
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If parents could just get their children moving around in the most simple and fun ways - jumping in leaves, dancing to pop music, throwing socks in a laundry basket - they could be sowing the seeds of great habits that could last a lifetime. It is all about turning it into a game.
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I never had little brothers, so I was totally not used to hearing a lot of cussing at a young age! I learned what 'pull my finger' meant the hard way.
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A lot of the rap shows I saw as a kid were boring, but if you went to a Rage show or a Justice show, the kids were losing their minds.
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Mistakes are the greatest teacher. But you need to know when to let go and when to act.
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Cruelty is fed, not weakened, by tears.
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I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems?
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Tantarrara! the joyous Book of Spring Lies open, writ in blossoms.