Mike McGavick Quotes
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Quotes to Explore
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I love fire. As a child I loved setting light to things. I'd always be in the forest putting matches to pieces of wood. I've always regarded fire as my friend.
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I don't believe in these headline-hunting interviews. That's just not my style.
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Time is important to me because I want to sing long enough to leave a message. I'm used to singing in churches where nobody would dare stop me until the Lord arrives!
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I knew Dana White as a good guy, a good square guy.
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Competing in pageants made me hyper-aware of the unfair expectations society places on women in terms of youth and beauty. But it also gave me empathy for women who use beauty as a creative exploration. When expressed healthfully, dressing up, doing hair, crafting makeup, etc., is an art form.
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Doing a life study while drunk and in the process of being seduced is never a formula for quality art.
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People always say 'Don't you support the troops?' But the troops are an entity that just follows orders. It's not about individuals or people. So when I say 'I don't support the troops', I'm saying I don't support the bankers and politicians who are making them do what they do.
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Robert Crumb is an influence on how I draw, but not on the subject matter I take or my approach. One thing I do like about Crumb is that he's chronicled his age, his times, and I think that is what artists should do.
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I grew up with a concept of cinema as a directorial thing, meaning the director is allowed to sail the ship. Not a dictatorial thing.
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And Oliver North was really a good soldier, up to the last moment, shoving memos into the shredder and defending the policy to the end.
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I believe in being positive.
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I believe in the America people's ability to govern themselves. If government would just get out of the way and allow them to lead their lives as they choose, they will succeed.
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My grandmother always taught me, 'If you don't have a home, family, and church, you don't have anything.'
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If you can't love who you are now, you can't get to the place you want to be.
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The Moguls is a story about guys that have all grown up together and are now in their late 40s, early 50s.
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People may doubt what you say, but they will believe what you do.
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If I were president of the United States, I'd build a great wall along the Mexican border and not let anybody in.
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It wasn't until I'd turned 50 and had been in the business 25 years that I realized I might actually have a career as an actor.
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Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
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I was always running off to the city, whether it was Philly or New York, going somewhere where there was something more for me.
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When someone just writes 'f**k, f**k, f**k', we just fix it, laugh and move on. But the difficult social issues are the borderline cases - people who do some good work, but who are also a pain in the neck.
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Before Disney, I did other shows so I was aware of the business. They're all the same in that they're a professional environment. The only difference between a Disney show and other network shows are in the age of the actors you're working with and the age of the intended audience.
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The search after the great men is the dream of youth, and the most serious occupation of manhood.
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XL is dedicated to understanding shifting business dynamics and helping our clients thrive in increasingly complex and changing environments. 'The Future of the Company' platform will allow us to offer insights and commentary on these essential topics to a global and diverse audience and feature insights from XL experts.
