Gavin O'Connor Quotes
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I always intended the title, 'WARRIOR,' to be about spiritual warfare and warrior lives outside of the cage.
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From when I was 7 until I was 22, I played football. That was always my struggle as a kid. I always wanted to be an artist, but my parents were divorced, and my dad really wanted me to play sports, and that's how I got to see him. He would come pick me up or take me to practice, and he was always at my games.
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At least I want to be making films that are somehow born out of me that are stories I want to tell. The challenge is figuring out how to do it where you can make them personal, yet still deliver to an audience a film experience that is satisfying and emotional, and that's what I'm trying to do.
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When you do scenes that are just exposition, they feel false.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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Being a dad is like - there's nothing more important. So the exploration of that in stories, with parents and fathers and brothers, siblings, I just think that you're always in the terrain of love, whether it's absence of love or the giving of love or the desire for love.
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Ever since I was a kid, I wanted to make films. That's really all I ever wanted to do.
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My brother and I were separated when I was a child; we went with different parents.
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The Green Hornet was a human superhero. And he didn't wear a clown costume. And he was a criminal - in the eyes of the law - and in the eyes of the criminal world.
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The thing about Moby Dick is that, at heart, it's a very simple plot - there's only one white whale in the ocean. When you're a boy growing up in a hostile home, you imagine it's unique: it's happening only to you.
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I'm going to go do a Netflix series. It's straight-to-series, 10 episodes, probably go for three seasons. I'm going to direct the pilot and hopefully the last episode of the first season. The show is 'Seven Seconds.'
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The script is just a blueprint.
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The thing I learned from 'Pride and Glory' is that people like to feel a little better leaving the theater than they did coming in.
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Sundance is going to be a defining moment in my life. But the unfortunate thing about Sundance is, when you have a film there, you can't have the opportunity to see other films.
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I always say to my agents, you go through one of these big kind of movies, everyone makes money, but like, I said, 'I'm the one who's gotta go make it, and if I don't have my heart in it, and it's like a love affair, I'm not going to do a good job. Then, and I don't want to just get paid. I just, I don't want to do that.'
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I want to re-mythologize 'The Green Hornet' in a contemporary context, with an emphasis on story and character, while at the same time incorporating themes that speak to my heart.
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As a kid, when most of my friends were into Superman and Batman, there was only one superhero who held my interest - The Green Hornet.
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I remember, after 'Tumbleweeds,' my friend and I wrote 'Pride and Glory.' I was just about to get it going. I had some really great actors attached, and New Line was going to make the movie, and 9/11 happened. And it was over. By September 12, it was over. And rightfully so. I understood that.